Ken Stevens, the designer and manufacturer of CAT equipment, once told me that a parts manufacturer (I think they were resistors)asked him what "flavor" of sound he wanted from the resistors (warm, bass-oriented, etc.). That is, these parts could be used as "tone controls" - Ken's answer was I want the flavor of water. The sales reps was a bit confused, but I think Ken's goal and Ralph's goal seem similar - "get away from tone controls so as to get to the truth of the matter". Which gets back to the passive/active debate - can an active line stage ever get as close to the "truth" as a passive (minimal flavor, clear as water) implemented in a properly matched "system". I still think that the active approach is probably necessary for some of the reasons mentioned by Ralph and the need to actually sell this equipment into a variety of listening envrionments and matching equipment.
Passive Pre - No Regrets?
I'm interested in hearing from folks who have moved from a high quality active preamp (I'm currently using a CAT SL1 Ulitmate)to a passive preamp and have had no regrets. I'm particularly interested in hearing from those that have switched to a Placette or Sonic Euphoria (the two I'm considering). I'm using a CAT JL2 Amp feeding Merling VSM-MX.
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- 146 posts total
- 146 posts total