Need help understanding tube wpc


My equipment has always been solid state so bear with me (i'm sure this has been asked before but having trouble finding the threads) . I don't follow the wpc differences between SS and tubes and how to match tube power with speaker efficiency to ensure that they'd be driven okay.

Thanks
facten
A watt is a watt. Watts = Volts x Amps.

The equation has no idea whether you used a tube or a transistor. SS amplifiers usually have more current (amps) and tube amplifiers usually have more voltage, and their interaction with the speakers impedance at various frequencies account for the differences you hear.
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While it's true that watts is watts whether tube or solid state, the ear's sensitivity to different types of distortion is what's coming into play in a "tube watts vs solid state watts" discussion.

Tubes soft-clip; that is, they produce less high-order harmonic distortion when driven into clipping. High-order harmonic distortion is quite audible and objectionable even in fairly small amounts. Generally speaking, tube amps can play louder than equivalant-power solid state amps before the ear detects the distortion. This matters because usually the problem that's most noticeable in clipping is the distortion rather than the dynamic compression.

Given that recorded music can have an average-to-crest ratio of 20 dB or more (which would call for a 100-fold peak in amplifier power), clipping can and does happen more often than we'd probably like to admit. In theory enough reserve power to avoid clipping would be great, but I'm not sure that's always practical.

Duke
Tubes typically have FAR higher rail voltages than SS amps, which therefore gives them more dynamic headroom. Tubed amps also clip in a "harmonious" manner, making them less objectionable when overdriven. This means that a smaller tubed amp can play "louder" than one would think, as it has quite a bit of dynamic headroom and doesn't rip your ears / eyes out when it does clip.

The biggest problem with tubed gear is that it typically lacks current and is bandwidth limited, both on top and bottom. The lack of current is what gives most tubed gear that "round, tubby" bass that many folks dislike. At the same time, this "added warmth" tends to "fill out" many of the leaner digital recordings that we hear. The limited bandwidth up top tends to soften the treble response, making hard, bright and edgy digital sound smoother and more listenable.

Like any other amplifier, you want to look for a design that utilizes very large core transformers. With tubed gear, the output transformers are as important ( maybe moreso ) as the power supply transformer. As such, look at the build quality of the amp more than the actual power rating, as most tubed power ratings are "bunk" anyhow. If you applied the same standards for measuring distortion in tubed gear as one does to SS gear, most of these tubed amps would be rated at about 1/4 to 1/3 of what the manufacturer advertises.

There are obviously designs / products that fall outside of these basic recommendations i.e. output transformerless ( OTL ) designs, digital power supplies, etc.. These are all non-standard designs, so the "rules" are apt to be different for these products. In such cases, proceed with caution and just make sure that you're dealing with a reputable manufacturer. Sean
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PS... Buy more than what you think you need, as running tubes quite hard on a regular basis also means replacing tubes on a regular basis.
I like Sean,Rl,Viris comments and would ad that regardless of tube/ss when an amp is capable of X watts/ch RMS it is capable of a different number of watts for an instantanious peak. A better amp can do a peak perhaps 50-100% above the rated RMS power. This is based on a better power supply and design, etc. Music is peaks. Not steady. Then there are Class design differences too. There are a lot of factors involved. Good luck!

ET