Tube Preamps...I'm sold


At the constant urging of my friend I finally decided to audition a tube preamp (Eistein The Tube). All I can say is I am completely sold on the benefits of tubes in my system. I am not sure I have the vocabulary to describe what I heard but everything just sounded right. Vocals has a realism that made it seem I was in the same room as the musician. Instruments sounded like they were supposed to. There were details I have never heard before. What is amazing to me is that I have what I believe to be a pretty good ss preamp (Classe CP-700).

Ok, now for the hard part...finding the right tube preamp. The Einstein is amazing but I want to audition more. Can anyone suggest a tube pre in the range of $10K and less? I would love to some one with an output trigger and very fine volume control (0.5db). Thats all I need.

Thanks in advance.
128x128tboooe
Tom, thanks for the input. If I go with BAT I will get the 52se so I can upgrade to the REX. Hopefully I can audition one after CES.

Teajay, great thoughts. No, I have not given up entirely on SS preamps. I am going to try the Accustic Arts, MBL, among others. Whatever I do next, I am hoping its the end of the road for a long time (yeah right!)
Teajay,why don'y you identify the "mystery" Japanese line stage?
Sounds like you tried the WRONG Japanese brand.
And do you really still place at the top of your list "soundstage" and "details"?
I moved beyond that audiophile Chimera years ago.
Might want to give great tube electronics a try and get back in touch with the music.Details and ss are for young beginners who don't know any better.
Clfcarney, I find your personnal remarks somewhat condescending, however I'll take the high road and respond to your question. But, first some remarks to your statements:

1) I love when my experience differs from others regarding certain pieces the response revolves around, "something most be wrong with your system" or your remark, "WRONG Japanese brand". I said in my orginial remarks to Tbooe that it comes down to personnal taste/system synergy, not who's right or wrong.

2) Take a look at my system and the type of music I listen to. Yes, I love microdynamics, laying in a big natural soundstage along with top/bottom extension, macrodynamics, transparency and above all "real/organic" timbres, so I'm not into a "HIFI" sonic signature at all. I have found alot of highly regarded tube amps and DACS to be very euphonic and not my cup of personnal sonic tea.

3) The preamp that I'm auditioning is the Shindo Labs Mon brisson, as far as I can tell it's a very well respected piece from a great company and designer. As I stated I got it brand new, it now has about 100 plus hours on it, so I still have not come to the conclusion it won't blossom more, but we well see. There was also a mixup regarding it's power cord, I'm using a different one that's recommended for absolute sonic performance, so I'm waiting to get the Shindo power cord before I come to any final conclusions.

3) I wish I was younger, I'm 54, and beginning all over again, to re-experience the first time the beauty of high end audio gear with great music, but your "high brow" statement that, "ss and details" are for young beginners smacks of someone who thinks he knows everything.

I listen to music at least 2 to 3 hours a day, so I think I'm in touch with the music and hope you enjoy your music as much as I enjoy listening to mine.
>>Details and ss are for young beginners who don't know any better.<<

Words of a true amateur.
I don't remember making any personal remarks,Teajay.And everbody finds me condescending(and that IS a personal remark).
The Monbrisson is not a linestage,it is a full function preamp with an unbelievable phonostage built in.
If you have access to a record player,or any analogue component,I urge you to give it a try through the Monbrisson.My digital sounded better than ever through my Shindo preamp,but it was only when I got back to analogue through the preamp that my system's full potential was realized.It provides a direct connection to the emotional essence and flow of the music that I have yet to experience with any other gear.Digital is not even close.It makes pretty sounds and detail and slam etc.,but not music,IMO.
Also,everyone I know of who uses Shindo gear uses the cords that come with the gear or the Shindo premium cords which are only about $400.
The shindo products are voiced by Ken Shindo,who has probably forgotten more than most of us will ever know about making magic with a stereo,and that includes his cords and the NOS tubes that are in it.
No experimentation is necessary.
Also,I am just curious if you would care to divulge the dealer who provided you a new Monbrisson to audition but did so with the wrong cord.
As I understand it,there are only a handful of dealers in the US,and I don't know of any dealers who provide brand new unused gear for home trials--of any brand.As everyone knows,most gear doesn't sound its best untill it gets some hours on it.Surely your dealer knows that.
All in fun.