Tube Preamps...I'm sold


At the constant urging of my friend I finally decided to audition a tube preamp (Eistein The Tube). All I can say is I am completely sold on the benefits of tubes in my system. I am not sure I have the vocabulary to describe what I heard but everything just sounded right. Vocals has a realism that made it seem I was in the same room as the musician. Instruments sounded like they were supposed to. There were details I have never heard before. What is amazing to me is that I have what I believe to be a pretty good ss preamp (Classe CP-700).

Ok, now for the hard part...finding the right tube preamp. The Einstein is amazing but I want to audition more. Can anyone suggest a tube pre in the range of $10K and less? I would love to some one with an output trigger and very fine volume control (0.5db). Thats all I need.

Thanks in advance.
tboooe
>>Details and ss are for young beginners who don't know any better.<<

Words of a true amateur.
I don't remember making any personal remarks,Teajay.And everbody finds me condescending(and that IS a personal remark).
The Monbrisson is not a linestage,it is a full function preamp with an unbelievable phonostage built in.
If you have access to a record player,or any analogue component,I urge you to give it a try through the Monbrisson.My digital sounded better than ever through my Shindo preamp,but it was only when I got back to analogue through the preamp that my system's full potential was realized.It provides a direct connection to the emotional essence and flow of the music that I have yet to experience with any other gear.Digital is not even close.It makes pretty sounds and detail and slam etc.,but not music,IMO.
Also,everyone I know of who uses Shindo gear uses the cords that come with the gear or the Shindo premium cords which are only about $400.
The shindo products are voiced by Ken Shindo,who has probably forgotten more than most of us will ever know about making magic with a stereo,and that includes his cords and the NOS tubes that are in it.
No experimentation is necessary.
Also,I am just curious if you would care to divulge the dealer who provided you a new Monbrisson to audition but did so with the wrong cord.
As I understand it,there are only a handful of dealers in the US,and I don't know of any dealers who provide brand new unused gear for home trials--of any brand.As everyone knows,most gear doesn't sound its best untill it gets some hours on it.Surely your dealer knows that.
All in fun.
Clfcarney, well I'm glad you have a sense of humor regarding your own opinion of being condescending, on to your other statements and questions.

1) I prefer not to share the name of the dealer who I got the Shindo preamp, he's a fine gentleman with a great store who made a mistake of not making sure that the Shindo PC was in the unpacked shipping carton. We had a long discussion regarding how the Shindo PC was vital to get the best performance out of the preamp and not to experiement with other PC's. However, since I live in another state, it was not possible to go back and get the Shindo PC, so I'm breaking in the Preamp with a Harmonix Studio Master Cord and will recieve the Shindo PC this week through the mail.

2) Regardless, of what happened concerning the PC my audition period is at least two weeks, so the Shindo will be fully broken in and used with its stock PC before I come to any conclusions regarding its performance in my system.

3) It was also discussed that Mr. Shindo selects what he considers the optimum tubes for voicing his preamps, so tube rolling is not recommended.

4) I'm fully aware that the Shindo is a full function pre not just a line stage, with a highly regarded phono stage. However, without getting into a very subjective debate regarding analog vs digital, I'm not at all interested in vinyl and have not been for over fifteen years. I accept that you experience "the emotional essence and flow" of the music more with analog then digital, I don't. The way you describe what you like in your system's overall signature reminds me of much of the writing style of Sarjan and the boys over on Six Moons website that I find quite entertaining and very mumbo-jumbo and quite silly most of the time. I listen to music for pleasure and enjoyment on an emotional level, not to have a spiritual experience.

4) Quite right, let's have fun and let the music roll.

4)
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I have used passive preamps in the past and liked it better than the active stages I tried.
I then went dCS straight into different amps for quite a while and preferred that to the couple of preamps that I tried(amateur that I am,Audiofeil).
But when I got my Shindo Vosne Romanee preamp,it was a complete change of landscape like no preamp had ever been before for me.
It was like adding another amp into the chain,it transformed my system in an almost unbelievably positive way.
So,forgive me if I seem incredulous at your initial reports,but they differ wildly from my own experience of the Shindo gear,and ,frankly, from every other report I have read of others who have actually heard the gear.
Even someone as mainstream as Michael Fremer was quoted as saying the Shindo demo was the best he heard at a show in the recent past(pretty sure it was he).
But maybe the Monbrisson isn't the best choice for an otherwise all ss and digital system with low efficiency speakers and a tough load.
With your preferences,Teajay,I'm kinda surprised you even wanted to try it.