Opportunity to buy the best Preamp... but which?


On the tube front... AR Ref3 vs. CJ ART3 vs. VL TL-7.5 vs. Wavac PR-T1?

Or on the SS front... Burmester 808Mk5 vs Dartzeel NHB-18NS vs Krell Evolution2 vs MBL 6010D vs Halcro DM10?

My preference would be a neutral tube based model.

Any opinions?

Andrew
stevecortez
The absolute best preamp does not exist any more than the absolute sound does, with the exception of the magazine that owns that title. Too many variables interact to produce countless impressions and outcomes. With all of the colorations out there---especially those of every instrument and component---the most meaningful scenario of best comes in the form of a question: "What will constitute the best match for my system in terms of the kind of sound that satisfies me most ?" And that doesn't even come close to a definitive and/or collective notion of best.
Still in my opinion and after 50 years in this hobby starting out in tubes in 1957 and going solid state in 1977.And having worked in the music industry for 30 years I think I have a little knowledge in this area. The FM Acoustic brand is the pinnacle of the audio arts and has been so for some thirty years or more. All cutting edge studios world wide and artist alike own this gear and they would own nothing else. It is the most expensive audio gear on the planet, their client list is a literal whos who of the industry.

No I don't own it , cannot justify that expenditure at my age now. But I am familiar with FM Acoustics gear and I have heard it many times in studio settings as well as in private homes. FM Acoustics is nothing short of totally mesmerizing and a sonic signature that will leave you immersed in each note. Once you hear this gear, you will never forget the experience. Yes their is a best and it is FM Acoustics, nothing and I mean nothing else is even remotely close. But this type of excellence is not for the weak of heart, and for those of us that have to ask how much. If any the respondents to this thread get a chance to audition this gear or actually hear it in its own environment, do so at your own risk. For those of you that harbor the notion the best does not exits. Then you must keep that belief until you hear FM Acoustics.
The "best" is discernible in so far as one can reproduce music in the home that delivers the hallmarks of a live performance: Wide dynamic range, undistorted frequency extension, wide deep tall soundstaging, timbral accuracy (a viola sounds like a viola etc...). Instruments have certain identifiable sounds and sonic charachteristics, great halls portray instruments in a certain way...the best audio gear should allow one to enter the moment of creation and suspend belief! This is not ice cream, it is music and should be easily identified as such through a great hi-end system with as few limitations and or artifacts as possible...great gear can do this better than other conventional designs. FM acoustics sounds like a professional brand. It has been my experience that individuals "in the business" of making music are usually the worst judges of hi-fidelity equipment...counter-intuitive I know, but they seem to value aspects of sound re-creation that is askew of us mere mortals who savor their labors!
If cost is no object I'd buy one ss preamp (Gryphon Mirage) and one tube preamp (CAT Legend or Shindo top) and change my sound accordingly.
I recall FM Acoustics now...it's a swiss boutique manufacturer catering to the exclusive "money is no object/sound is second" club. A tube preamp is a must, amplification is getting better for both camps.