Bartokfan I think you are confusing impedance with sensitivity. Nevertheless, both are factors that influence how well (or not well) your amp will do.
Rule of thumb is to have a speaker with simple cross over design (or better, no cross over), benign impedance curve, high(ish) impedance and high(is) sensitivity.
I will probably get flack from a couple of SET guys for saying this, but I do not believe any single tube is better per se than another at orchestra (or opera, jazz, rock or anything else.). However, not all amps are equal, and some will perform way over what their rated output would suggest they can.
Dont get bamboozled into buying a huge tube amp to drive tube unfriendly speakers. Get the right speakers and every tube amp will work well (or work as well as it can).
If somebody tells me his speakers worked fine with his 100 wpc plus tube amp but not with his 50wpc tube amp, I run away. That is the speaker I will never want own, even if I get paid to take them. Proper tube friendly speakers will work well with 2 to 3 wpc tube amps.
As far as orchestra/opera goes, I have had good results with all my tube amps on my speakers. These amps were 300B SET (x 2), 6C33 SET, 6550/KT88 SEP, EL34 PP (x 3), 6550 PP, EL84 PP. Im probably missing one or two, but the point is they all worked great for orchestra because I mated them with the right speakers.
Once you have tube friendly speakers, you can try any tube type and amp configuration and always end with a smile on your face.
Regards
Paul