Carver sonic holography


My wife was at a thrift store and found a Carver CT-seven preamp (she said she could tell it was good because it had handles :)in perfect condition for $20 dollars(I've never thought much of Carver equipment, even when i sold it 15 years ago) - I hooked it into my system (musical fidelity studio t amp, mac mini with behringer DAC) and all I can say is WOW! I'm not one usually for gimmics but when the sonic holography is on the sound stage is as wide as the room (20ft) and instruments are razor sharp in placement(I'm a big sound stage guy) what gives? - I've tried it with mg12's,AR m5's, Vandersteen 2ces and a pair of cheap Polk monitor 40's -the sound stage on all these speakers improves dramatically and I really dig the sound i'm hearing(on most songs) - has anyone else had this experience with the sonic holography?
thymanst
I've had the TG1 and I currently have the TG2. For my money, they've been outstanding. I've only used the Sonic Holography very sparingly. On some recordings it sounds very good. Ultimately, all of this is going to be a matter of taste. Take a few cd's down to a Sunfire dealer in your area if you have one and check it out.

good luck
Yeah I have a carver pre and amp for my 2nd system.
I bought it because of the holograph generator,it sure does its job and you don't have to spend gobs of money either on the cables or interconnects. Back in the day a Carver C1, Adcom 555 and Vandy 2ce's was the cheap reference system.
Tarsando wondered:
"And what in what high end systems is the sweet spot any more than one foot wide? That's about par for the course."

You have obviously never heard the Gallo Reference 3s or the Ohm Walsh speakers. The sweet spot on my system is about 6 feet wide and I'm sitting 11 ft. from the speakers.

-RW-
Ok,I got one listener with a 1' sweetspot and one with a 6' sweetspot. So what makes up your sweetspot?
I'll fess up. I still have a Carver Sonic Hollogram Generator (stand alone unit that goes in the tape loop). When engaged, the bottom end loses some definition, but the dramatically expanded (wider and deeper) sound stage is a guilty pleasure that's hard to resist.