re: phono preamps; is vintage ss any good?


is high quality solid state amplification from the 70s and 80s any good by modern standards? The question includes older ML, McIntosh, etc., which can be a relative bargain. I am wondering whether I must upgrade my c. 1985 DB Systems db-2A preamp (I am using only the phono section now, which was widely respected back in the day). I love tubes and share many audiophile's objections to the sound of ss, but it is hard to complain about modern high-dollar ss. I bought the $250 Bellari phone pre based largely on Fremer's rave; it may have tube warmth, but lacks acceptable clarity, imho, and I quickly reverted to the db systems. New phono pre's can be very dear, and I wonder how high up the food chain I would have to go to get acceptable sound, or if it's necessary.
128x128lloydc
I have been very pleased with older Classe preamps and amps. I would look for there Dr-6,5,or even there all out asault the DR-7preamp.
Take this for whatever it might be worth. I agree with Mcpody to add Threshold to your list of candidates. I have a FET-10 which I took to a phono stage shoot-out at a friend's house. The benchmark was a Manley Steelhead. Out of six audiophiles present, three preferred the Threshold. For under $1K it would be hard to beat.
Pryso,

The FET-10 is a really nice buy. The build and parts quality of that preamp is astounding. Ever listen to the T-2?
Mcpody, no. My FET-10 is the only Threshold phono stage I have experience with. A friend built a fully regulated power supply for me and that takes performance up a step - I assume similar to the later version of the FET-10. I was told the differences with the later model were power supply and balanced output (?). All I can say is that mine sounds very good in either high gain (MC) or standard gain (MM).