Poll - Active vs. Passive preamp


Thought it might be interesting to see who's using a passive vs. active linestage. List your total system value and/or components as well.

Have been enjoying a Supratek for about 8 months now. It is indeed a killer unit. Today, for kicks, I put the Prometheus TVC back in the system - it is pretty astounding how good it sounds at 1/10th the cost. I was very impressed (again). I'll withhold further comments.

I'd previously concluded that almost all really good higher-end systems use an active linestage. I wonder how true that statement is.
paulfolbrecht
If your source has enough potential voltage output to drive your amp to it's max wattage: You will lose nothing but coloration. If that's the case: You need nothing but attenuation. That's providing we are discussing a very transparent passive, like the Placette. Source material varies widely though, with regards to recording level. When I had my Placette Linestage, there were some recordings that just did not give me the SPLs that I crave(live levels- Jazz/Blues). Then too: There are many out there that just enjoy the colorations that most pre-amps add to the signal.
Voltage does not seem to be the issue with passives (I always got plenty of volume), but current, the ability to drive low impedance and thereby maintain bass drive and dynamics. A buffer seems to address that issue. So is there any justifcation at all for gain other than to step phoni signals? If not, are we not better off without gain devices in our preamps if buffered to handle impedance matching? You may be right though, there may be colorations that are appealing with every active providing some flavor or favourably sounding distortions to the source signal - and nothing wrong with that [?].
Some systems require gain, some don't. Below unity gain, active and passive, are both an attenuator?

Other features aside, and if you only require attenuation of the signal....you have nothing to "gain" by spending a lot more money for an active preamp.

Dave
There are already a few active/passive threads here on the 'gon. But I think this is the only poll so far...

In my system I have speakers that are 97 db. Depending on the material that I play, I would not have a hope of having enough gain without an active line section (MP-1 Mk.III), at least not if I want to play the final act of Wagner's Götterdämmerung at anything near the right volume!
That is undoubtedly true with vinyl, but why would that be true with a 3V digital source? Now the active argument seems to be volume, but I get plenty of volume with passives, though not ideal with the M-60s with their sensitivty. But assume a 1V sensitivity on the amp (like my other amp)and a 3V digital source (like my Accustic Arts)why would any gain be of any benefit? Now the need for active buffering is another issue, and I assume it always helps to make the load easy and consistent for the source through the cables to the amp. Why pay for gain? And isn't any gain device less perfect than straight wire to the buffer?