Mac 275 questions........


After some months of up's and down's with my ASL Hurricanes (just seemed to never stay operational for longer then 2-3 months) I have decided o retire them and get the McIntosh MC 275 (2 amps).

I have some questions for you all and appreciate any input you may have (especially form Mac owners) but opened to all.
My speakers are Infinity RS 1-B's and I will be using the amps to drive the top end of the system (EMIM's and EMIT's). I have a Perreaux 3150B for the bass columns. The Infinities are rated at 4 ohms.
I plan to listen to one amp on top ( I will get one amp in a week) and then when I get the 2nd amp ( a week later) run both in mono.
What will I hear with each application? First with one and then with both? Also can any of you let me know if any of you compared the Mac 275 (in mono) 150 watts with the Hurricanes 200 wpc? The Hurricanes were great but I just could not live with them being up and down so many times.

Thanks to all for your input.

RWD (Rick)
rwd
Bosrt, I pasted the following from my AK post:

I was curious why some folks didn't find tube changes had much effect with Mac amps and others like myself (and friends) were astounded at the improvement. I'm a natural detective, so I couldn't just 'let it go' After asking everybody lots of questions, I realized that most, if not all of the people who were 'underwhelmed' had changed their power tubes first (or only!)

I changed my 12AX7's first. Not because someone with prior experience had given me a hot tip. But because one night right after I got my amp, a (vintage gear) friend came by to hear the new toy, and brought some old Telefunken 12AX7's 'just for fun' and we were both blown away! Only later I read where Ron C. (I think) said that in order of sonic importance, it would be the AX's, AT's, and last the KT88's.

You will definitely hear subtle sonic differences in power tubes if you change the little ones first. But the biggest difference between power tubes will be in power (duh!) and the EH's (when they work) are the weakest. They have transconductance values around 4500-5000. The Pentas and (I'm assuming) the reissued Gold Lions as well, are much stronger 6000 +/_. The strongest, are the NOS Gold Lion, Gold Monarch, and GEC KT88's which, when new, are 10,000-12,000.

McIntosh also declares that it doesn't matter that much to have matching pairs of power tubes (or even the little signal/driver tubes.) Strictly speaking, that's true. And just to prove it, they make no provision for adjusting the bias if they don't match! However, if you're concerned with tube life (power tubes), or with precise channel matching (signal tubes) then you'd like to have tubes that match. No, they don't have to match within 5%, or even 10%. I'd say 20% or better is reasonable. Except if you're using the single ended inputs, I'd recommend that V-1 should have its two internal triodes matching within 10% or better.
Nsgarch,

I just checked the tubes that I changed in my McIntosh Ma-2275, and they were the AT's...changing them made a big difference. Now, I'd like to see if changing the four 12AX7A can make a difference too. Telefunken never made 12AX7A. They used to make 12AX7's instead. Do you know if I can use those to replace the 12AX7A's? If not, do you have any recommendation in terms of what 12AX7A's I might use? Thanks, Giovanni
I got into it last nite and had some success.

I preferred Mullards in the V2 12Ax7. Nice bass and some cleanish warmth in the mids. Highs nice. A Brimar was too bright. The other 12Ax7 got RCA 5751s. All these were more open and detailed than the original tubes. Also brighter.

For the AT7s, Brimars were good and RCAs good. The AT7s were substituted with what I could find on hand. Didn't work on rolling here much.

I also found as I replaced more small tubes the instrument solidity and location stabilized with a guitar intro that I know well. Cibelle/cibelle 2nd track.

B
12AX7A's are simply 12AX7's with a filament center tap that allows them to be run in series or parallel. Not an issue with the Mac amp.
If one is looking towards the rear of the 2275 from the front, Which pair of 12ax7a is used for the phono, the pair on the left or the right pair?