The Placette "Active" approach of following passive switching and volume control functions with a unity gain buffer seems ideal to me. In practice most preamps are operated at less than unity gain overall although within the unit there may be many dB of gain. Most of it is discarded in the volume control. Most disc players, for example, have a nominal output of 2 volts rms, and 2 volts would drive most power amps into clipping.
When I built my home brew "passive preamp" several decades ago I also built what I called a "line driver" which was a unity gain buffer amp with high input impedance and low output impedance. This was necessary when I changed power amps from tube units with 250K input impedance (high even for a tube amp) to SS amps more like 20K. I was very aware of output impedance requirements from my work as an aerospace systems engineer where it was necessary to transmit both analog and digital signals through as much as 300 feet of 20-year-old wires. There was always a circuit dedicated to this "line driver" job.
When I built my home brew "passive preamp" several decades ago I also built what I called a "line driver" which was a unity gain buffer amp with high input impedance and low output impedance. This was necessary when I changed power amps from tube units with 250K input impedance (high even for a tube amp) to SS amps more like 20K. I was very aware of output impedance requirements from my work as an aerospace systems engineer where it was necessary to transmit both analog and digital signals through as much as 300 feet of 20-year-old wires. There was always a circuit dedicated to this "line driver" job.