Lightspeed Attenuator - Best Preamp Ever?


The question is a bit rhetorical. No preamp is the best ever, and much depends on system context. I am starting this thread beacuase there is a lot of info on this preamp in a Music First Audio Passive...thread, an Slagle AVC Modules...thread and wanted to be sure that information on this amazing product did not get lost in those threads.

I suspect that many folks may give this preamp a try at $450, direct from Australia, so I thought it would be good for current owners and future owners to have a place to describe their experience with this preamp.

It is a passive preamp that uses light LEDs, rather than mechanical contacts, to alter resistance and thereby attenuation of the source signal. It has been extremely hot in the DIY community, since the maker of this preamp provided gernerously provided information on how to make one. The trick is that while there are few parts, getting it done right, the matching of the parts is time consuming and tricky, and to boot, most of use would solder our fingers together if we tried. At $450, don't bother. It is cased in a small chassis that is fully shielded alloy, it gets it's RF sink earth via the interconnects. Vibration doesn't come into it as there is nothing to get vibrated as it's passive, even the active led's are immune as they are gas element, no filaments. The feet I attach are soft silicon/sorbethane compound anyway just in case.

This is not audio jewelry with bling, but solidly made and there is little room (if any) for audionervosa or tweaking.

So is this the best preamp ever? It might be if you have a single source (though you could use a switch box), your source is 2v or higher, your IC from pre-amp to amp is less than 2m to keep capaitance low, your amp is 5kohm input or higher (most any tube amp), and your amp is relatively sensitive (1v input sensitivity or lower v would be just right). In other words, within a passive friendly system (you do have to give this some thought), this is the finest passive preamp I have ever heard, and I have has many ranging form resistor-based to TVCs and AVCs.

In my system, with my equipment, I think it is the best I have heard passive or active, but I lean towards prefering preamp neutrality and transparency, without loosing musicality, dynamics, or the handling of low bass and highs.

If you own one, what are your impressions versus anything you have heard?

Is it the best ever? I suspect for some it may be, and to say that for a $450 product makes it stupidgood.
pubul57

Wow did you guy's ever loss me... But it gives me something to learn about.

Tony
George has pointed to exactly what the problem is. In order to produce proper bass, there can be no phase shift above 20Hz. Fletcher-Monson has nothing to do with it. If it were F/M at the heart of this, the same loss of bass phenomena would be heard by lowering the volume on any active line stage, yet that does not seem to happen. The loss of bass is unique to passives.

To eliminate phase shift at 20Hz requires a cutoff frequency of of 2Hz. IOW, the cutoff has to be about 1/10th the frequency to be amplified. So if the cutoff has risen to 5 Hz, effects will be heard at 50Hz- audible on most speakers. This low frequency phase shift is interpreted by the human ear as a loss of bass impact.

Note that the phenomena will not be had if the source has no output coupling cap. In such conditions there will be no low frequency pole and so no loss of bass energy or phase shift. But the vast majority of sources *do* have output coupling caps, and quite frequently, especially in digital gear, the output levels are so high that any amplifier will be driven into clipping by the DAC or CDP. So any passive used in this case will manifest the loss-of-bass problem.
Some sources that have output coupling caps (series caps) and are in the order of 10uf, and are usually bi-polar (2 x 20uf electros back to back), but these sound like cr-p, better to use plastics (polypropylene) but good ones of this size are expensive, and big. All these caps are there to stop dc offset, which if gets through can take out amps and or speakers.
In my view the best source output stages are direct coupled (no cap) this is harder for the designer, as usually they need to also to design a DC servo to keep the dc offset at a minimum 1-5mV, but when done right sounds the best as they are more transparent and have less colourations of a cap coupled output, and have none of the low frequency limitations.
Then there's transformer coupled output stages, don't even get me started on those, with high and low frequency limitations, ringing and well as current limitations.

Cheers George
George, does that mean that with some sources, Ralphs aregument is correct due to the coupling caps?

Ralph, what is your view of the argument that complexity required to add gain in a linestage does more harm than good when gain is not needed?