Sorry, but designing for compromise is crappy design...period! I've found Krell for example sounds best driving a difficult load. Also, class A (at least in the pre-driver stage) is more musical. Case in point, the new Evo amps (no longer class A), which I owned for a time, sounded cold and flat compared to even the 400xi integrated. One must have an ear for exquisite tonal colors however...otherwise Bose will do just fine! Of course not everyone will agree, but i'll take a "Quantum of Solace" in the knowledge that JValin and Martin Colloms might just agree with me.
Amp Designs That Are Able To Drive 4/2 Ohms Load
I have noticed that some amps like the Krell Evo 302 will output the exact wattage when halving the impedances ie. 300W/600W/1200W into 8/4/2 ohms respectively. On the other hand, some amps like the Bryston 7B-SST does not output the exact wattage when halving the impedances ie. 600W/8 ohms to 900W/4 ohms or the Plinius SA-100 (100W/8 ohms to 180W/4 ohms)
Can someone enlighten as to where the 'missing' watts have gone for amps that do not output the exact 2X the wattage when going from an 8 ohm to 4 ohm load? What are the criterias in amp design that determine which route to adopt, and what are the pros and cons of each design?
Thanks in advance.
Can someone enlighten as to where the 'missing' watts have gone for amps that do not output the exact 2X the wattage when going from an 8 ohm to 4 ohm load? What are the criterias in amp design that determine which route to adopt, and what are the pros and cons of each design?
Thanks in advance.
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- 17 posts total
- 17 posts total