Mrtennis, it is possible to get more detail without an excess of treble energy. This is where understanding the rules of human hearing comes in.
The traditional way to get more detail is by reducing distortion. Distortion 'masks' detail ('masking' is a quality of the human ear; one of those rules...). Usually this is done by adding negative loop feedback. While this reduces distortion overall (and thus increases detail), negative feedback will also augment certain odd-ordered harmonics slightly, but enough that our ears detect the augmentation has hardness or brightness (another rule of human hearing: we use odd-ordered harmonics to detect loudness and we are **very** sensitive to them, even in amounts of only hundredths of a percent).
Negative feedback frequently tends to compress dynamic contrasts also. Incidentally an amplifier that employs lots of feedback might measure very flat, but is very likely to sound bright.
So the way to get more detail (and impact) without brightness is to reduce distortion without using negative feedback as a crutch. This results in a detailed amplifier that is also at the same time very relaxed and lacking artificial loudness cues of the type you mention.
IOW: you can have your cake and eat it too.
The traditional way to get more detail is by reducing distortion. Distortion 'masks' detail ('masking' is a quality of the human ear; one of those rules...). Usually this is done by adding negative loop feedback. While this reduces distortion overall (and thus increases detail), negative feedback will also augment certain odd-ordered harmonics slightly, but enough that our ears detect the augmentation has hardness or brightness (another rule of human hearing: we use odd-ordered harmonics to detect loudness and we are **very** sensitive to them, even in amounts of only hundredths of a percent).
Negative feedback frequently tends to compress dynamic contrasts also. Incidentally an amplifier that employs lots of feedback might measure very flat, but is very likely to sound bright.
So the way to get more detail (and impact) without brightness is to reduce distortion without using negative feedback as a crutch. This results in a detailed amplifier that is also at the same time very relaxed and lacking artificial loudness cues of the type you mention.
IOW: you can have your cake and eat it too.