Although alluded to before, it seems that the amount of negative feedback is a big issue.
2 amplifiers can easily have the same bandwidth, but one running with feedback and one without. The one without will likely sound more relaxed, since it lacks the global feedback which enhances odd-ordered harmonics which in turn behave as loudness cues. We are not talking a lot, like Kurt says- hundredths of a percent is all it takes to make the difference.
A further complication is the idea of 'constant voltage' output, which is the same as doubling the output power as the load impedance is cut in half. Some speakers are designed to expect this (B&W 802). Other amplifiers are designed with the idea of "constant power" in mind- that is that power does not change regardless of the load (tube amps are good examples of this). Such amplifiers, sometimes referred to as 'current source' amplifiers, have a higher output impedance and an entirely different class of speakers exist to accommodate them (Sound Labs and horns for example).
In fact two paradigms of design and measurement exist in audio today:
http://www.atma-sphere.com/papers/paradigm_paper2.html
This is about more than just simply matching components, but that is what you have to do. Normally one paradigm will take over in a field of endeavor but that did not happen in audio because the 'prior art' (tubes) did not go away like they were supposed to- too many people like them.
2 amplifiers can easily have the same bandwidth, but one running with feedback and one without. The one without will likely sound more relaxed, since it lacks the global feedback which enhances odd-ordered harmonics which in turn behave as loudness cues. We are not talking a lot, like Kurt says- hundredths of a percent is all it takes to make the difference.
A further complication is the idea of 'constant voltage' output, which is the same as doubling the output power as the load impedance is cut in half. Some speakers are designed to expect this (B&W 802). Other amplifiers are designed with the idea of "constant power" in mind- that is that power does not change regardless of the load (tube amps are good examples of this). Such amplifiers, sometimes referred to as 'current source' amplifiers, have a higher output impedance and an entirely different class of speakers exist to accommodate them (Sound Labs and horns for example).
In fact two paradigms of design and measurement exist in audio today:
http://www.atma-sphere.com/papers/paradigm_paper2.html
This is about more than just simply matching components, but that is what you have to do. Normally one paradigm will take over in a field of endeavor but that did not happen in audio because the 'prior art' (tubes) did not go away like they were supposed to- too many people like them.