fuses - the $39 ones or the 85 cent ones


My Rogue Cronus recently blew a slow blow fuse. I was surfing to find a replacement. The stock fuse is a typical metal end cap, glass and "wire" fuse. The audio emporiums only seemed to offer these $39 German gold plated end wunderkinds. I finally found "normal" fuses from a guitar amp site. Has anyone tried the uber fuses and found the sound better? Hard to understand how it could be. Thanks for any thoughts.
joe_in_seattle
Dkzzzz
Not sure if you caught the drift, but I was being actually as sarcastic as you… Seems we are not quite that clever, but obviously my comments to you seem to be completely a Fairy Tale so be it…I would suggest however using pink colored cable sleeves then somebody might take us seriously!!
Pubul57: Thought I would respond to your statement which seemed to indicate that you felt that you did not have a lot of knowledge as to double blind tests. The "double" in double blind means that neither the researchers (those administering the test) nor the subjects know which product they are experiencing. In drug studies of course the product is either a placebo or the active substance, but double blind studies are carried out across the spectrum. This procedure prevents both the researcher and the test subject form biasing the test, whether deliberately or unconsciously.
Sorry, musicnoise, you have entered a NO SCIENCE zone.
Opinions and feelings are all that count.

BUT, in defense of the no-science crowd, MANY of them HAVE driven Hi-End by stuff they could hear and nobody else could. Engineers and Technicians have spent years catching up to good eared persons and it is NOT clear that they HAVE indeed caught up. The Best designers /executers do have good ears and distinct taste in voicing equipment.

So, that being said, what would the real purpose of DBT be in Hi-end?
That some cables sound Different is pretty established. That they are the be-all / end-all of a system in need of a little help is totally up-for-grabs.

I would like to know a few things::
1. Can people REALLY hear fuses? I don't see how this is possible, but who knows? That I claim my car runs better after being washed is, of course, nutty. Or is it?
2. Is there ANY consensus in a reference system, for those who CAN hear such a difference as to which fuse is 'better'?
3. Can anyone justify 39$ for a fuse? I mean REALLY, even if said fuse cost 10x a std 'littlefuse' to make, that would still make it only a couple bucks retail. I can't help it, when I see something so vastly overpriced, my 'scam' alarm starts ringing. I am perfectly willing to pay small companies a premium and would never begrudge anyone fair profit, but let's get real.
I just got confirmation that my 24 HiFi Tuning Fuses have been shipped.

I already have Isoclean fuses in my front end components and got a nice upgrade. It will be interesting to hear the effect of 24 HiFi Tuning brand going into my amps all at one time.
"Engineers and Technicians have spent years catching up to good eared persons and it is NOT clear that they HAVE indeed caught up. The Best designers /executers do have good ears and distinct taste in voicing equipment." I do find myself agreeing with this to some (a great) extent, but I also wonder if it possible to design a great piece of gear without being also being a really good engineer grounded in a scientific approach to development, especially new design approaches not from the DIY cookbook. I respect listening and voicing as part of good design, especially if I like the designers sonic goals. But if 10 out of 10 engineers said that it is "technically" impossbile for something to have a sonic impact, would you still beleive. Under those cirumstances I would take pause about what I "think" I'm hearing. I find it strange that I'm leaning towards the scientific view of this since I am far from being technical or scientific. As much as I respect the art of audio design, and I do, I think that at he end of the day it is generally all grounded in good engineering principles. Of course, I have no idea of fuses making a difference in sound is or isn't grounded in sound engineering.