fuses - the $39 ones or the 85 cent ones


My Rogue Cronus recently blew a slow blow fuse. I was surfing to find a replacement. The stock fuse is a typical metal end cap, glass and "wire" fuse. The audio emporiums only seemed to offer these $39 German gold plated end wunderkinds. I finally found "normal" fuses from a guitar amp site. Has anyone tried the uber fuses and found the sound better? Hard to understand how it could be. Thanks for any thoughts.
joe_in_seattle
Room treatments are not a "tweak". Your room/system interface is one of the most important things(actually the biggest component) you can possibly address when setting up. This has always been true whether regarding a home listening room or live music venue, and the first thing I've attended to(professionally, or at home) since the 80's. A lousy system has a better chance of sounding good in a properly sent up venue than an excellent system in a poor one. As far as DBT: What knowledge do have that either of the persons involved have any experience with live music, or any experience/training with regards to critical listening? Why would I give any credence to a report from someone that may never listen to actual music, or have any idea of what it sounds like(ala Julian Hirsch)?The fuses we are supposed to be discussing in this thread have never been recommended for replacing those in speakers(as far as I've read). Therefore- I'd have to ignore any remarks as to whether they are efficacious in that capacity. They are designed to provide the greatest benefit when placed in the power supply(AC input or DC rails). In these circuits, I've found the Hi-Fi Tuning fuses to increase the "organics" of my system's reproduction. IE: Vocals sound more human, I can perceive the wood resonance in double bass, piano and drum better. the air column in a closely mic'd sax is audible(the list could go on). To me the realism gained by installing the fuses is well worth the price of admission.
Post removed 
Rodman99999 says it well! I wonder how many audiophiles are grounded in the sense of having experienced live music on a regular basis and or have had the opportunity to experience various venue acoustics. The room your in is the main component of your system. Charles Hansen is doing just such a demo, illustrating how a cheap stereo can sound better than a high end rig given a better acoustical environment. The fuses add more acoustic pixelation to the music...clarity, energy and tonality all improved.
Mr Tvad- Anyone that is not intimately familiar with live music and all it's nuances may have any opinion they choose and that's fine with me. That opinion will be totally and completely lacking in merit to me, however, as that is what my experience and judgements rest on with regards to reproduction. Just like anyone that has not experimented with an item (of any description) to see whether it does, or doesn't do, what's claimed(in my opinion) has no opinion but an abysmally empty one! But- I live in America and have fought for the rights we have to voice our opinions(empty or not). Happy listening!
Tvad, since most live music events use amplifiers in poor rooms, I tend to agree, but I would not go so far as to suggest that live music is unobtainable and that we should be happy with good music reproduction rather than realism. I typically do not have access to quality performances so it thrills me to have such performances well captured on my system. That is always my quest.