Ultra high resolution

Dazzdax, as things stand today I seriously doubt that even one manufacturer is making a truly 'ultra high resolution' amplifier.

I don't expect anybody here to agree with me but believe it or not at the extreme or ultra high resolution levels you may be thinking of, I speculate that the innards though important should become somewhat less important at the extreme performance levels and areas that we greatly underestimate or completely overlook today must start to take precedence or it simply ain't happening.

Those areas I'm thinking of include but are not limited to extreme line conditioning, extreme vibration management, and extreme chassis construction (both internal and external).

Again I speculate the day will come when at least some of the internals will matter less and certain associated externals will matter far more. Obviously the industry is not there today but I anticipate this may soon change.

I think the important point here is no component (nor collection of components) is an island. For example, no 'ultra high resolution amp' would be very tolerable if it is not connected to a superior line conditioner (and every other component must be connected to a superior line conditioner as well because the AC grunge from the other components get amplified too) to cleanse the dirty AC coming from the street because of ensuing ear fatigue and even ear bleed.

On second thought I'll clarify my initial statement. There may well be several ultra high resolution amps already on the market but because of the external shortcomings mentioned above I'll bet dollars to doughnuts neither the mfg'er, nor their customers, nor their reviewers are aware.

-IMO

Joey, you're welcome.

Chris

04-23-08: Mrtennis said:
"... "high resolution" does not match the experience of listening to live unamplified music."

By definition, the higher the resolution, the closer to the live experience. You're saying the opposite. High resolution is superior to low resolution.

I think your desire for euphonic coloration is being confused for accuracy. Those colorations are not desireable for many of us (most?). I hear and make live music almost every day and also want the highest resolution possible in my system. High resolution does NOT include harshness, but is as close to the actual performance as possible.

Dave

I think it is all of the above and talent and experience of the designer. It helps a lot if he has extensive live music listening experience. Every parts is and should be 'costed' not soley parts quality/price but how it works in his current design as a whole.

I don't think there are only two amplifier brands out there w/ UHR. There are several or could be many (Small brands are sometime overlooked)

Once you have UHR amp, it comes down to how good is your source and preamp. Otherwise, garbage in UHRed garbage out!

With that said I agree w/ Mr Tennis's take on UHR. I like my music to sound natural and 'simple' (no exaggerated harmonics and details- which many well touted UHR system produces). Live music is not complicated- sound characteristics wise)

I have another stupid question: do some amplifier designers introduce deliberately some kind of noise (some kind of analog dither) so there is an apparent enhanced resolution?

Chris