why don't I like it??


My setup right now is Aragon 2004 mkII, Klipsch kg3.5's, and a yamaha rxv-659. My old roommate had an Adcom gfa-5400 and I loved it. When we separated, I wanted another amp. I did my research and decided on the Aragon. I know the Aragons have a great rep, but I'm just not impressed. I've owned it now for several years and it's never quite grown on me. I love it for ht though, which is the reason why I still own it. Being married with kids changes how you use your system--ie., can't jam out to music all the time!! I think the problem might stem from the kind of music I like--rock. The crunched guitars sounded so much better with the Adcom. It might be the Aragon is too "clean". While in a different room set up, I swear the Adcom had much better detail and imaging I've had the Aragon in two different room setups and nothing really changed. What do you think?
tstan7777
I would not pair adcom or aragon with klipsch... Go tube, or with a good small Class A amp... Some nice Hybrid, or even integrated hybrid.. You want to do some real justice and stay solid state with those speakers go with a mcintosh vintage or last 10 years....Plus being you say "separated" must mean you moved, and your current room and acoustics are vastly different than what you were hearing in the previous room and system..
Thanks for the responses. Yes I am relying on memory and the set up before was completey different. But....the sound is way different. So I don't think it's the room, components, wiring, etc...I think I'm trying to identify how to describe what I liked about the Adcom better. For example, the crunched guitars sounded much more pronounced. I think, in retrospect, it was a much "dirtier" sound. That have been what I liked. So would that sound be more related to better mids? It seems like to top is so soft on the Aragon. Almost like that part of the music that I liked isn't there anymore. Again, going from memory. The cd's I listen to are the exact same in most cases so I don't think it's the recording. Although the issue of loudness is interesting. I write and record music for fun and understand the concepts of compression, but never really thought of it that way. Most of what I record is electronic so I don't think compression plays the same role as live recordings, but I could be wrong. I guess it depends on the quality of the samples or plugin you're using.
Agree with Undertow, Adcom + Klipsch = Harsh. I have a pair of KG 3.5 and I believe that their sensitivity is around 94dB-- I am running mine on 25W tube monoblocks with excellent results.