I'm pretty sure Rowland uses differential circuits :) His was one of the first fully differential preamps to follow after ours.
The balanced line system *was* devised to reduce or eliminate interconnect cable differences and problems, but that is not to say that the effects of the cable will be inaudible. It *does* say that they will be *far less* audible that with single ended. However if you are running a preamplifier that has a very low output impedance, this will reduce the effect that even a single-ended cable has on the system. Its a lot harder to do though, with balanced its easier.
Some caveats: some balanced setups (including early balanced Rowland preamps) use(d) dual RCA jacks to execute balanced operation, which makes things trickier. XLRs are the preferred means, having superior contact mechanisms and also keeping the opposing signals in the same vicinity, which reduces noise pickup. Thats why we went with XLRs for the beginning, in a effort to prevent the goal of the design from be subverted. There is no question that that also delayed market acceptance because you had to use a different cable. With the dual-RCA setups, you could run a pair of RCA cables so you didn't have to have a different cable, just more, but that is a far cry from how the standard is set up.
I can't speak to the output impedance of Rowland preamps, but owing to the fact that they are solid state and that Jeff knows his circuits, I am confident that the output impedance is low.
I've used Mogomi cables for years, and compared them to a lot of much more expensive cables with no worries or regrets. I do hear differences, but they are always subtle and while some high end cables are audibly better, the difference is so slight that until now, I would never have written home about them. For a difference of $4000 I can get the same effect just by changing a couple of $25 tubes.
Not having to use an expensive interconnect and being able to run it a long way is a boon. I have the equipment stand 3 feet from my listening chair. A 25-foot run goes to the amps, which are by the speakers, with speaker cables as short as I can get them (about 4 feet; the speaker terminal are up high on the cabinets). I use more exotic cables elsewhere in the system, as not all the other components have the same ability to control the cables as the preamp does, and some are single-ended (this is not a problem for a balanced preamp BTW).
I hope this makes my position more clear.
The balanced line system *was* devised to reduce or eliminate interconnect cable differences and problems, but that is not to say that the effects of the cable will be inaudible. It *does* say that they will be *far less* audible that with single ended. However if you are running a preamplifier that has a very low output impedance, this will reduce the effect that even a single-ended cable has on the system. Its a lot harder to do though, with balanced its easier.
Some caveats: some balanced setups (including early balanced Rowland preamps) use(d) dual RCA jacks to execute balanced operation, which makes things trickier. XLRs are the preferred means, having superior contact mechanisms and also keeping the opposing signals in the same vicinity, which reduces noise pickup. Thats why we went with XLRs for the beginning, in a effort to prevent the goal of the design from be subverted. There is no question that that also delayed market acceptance because you had to use a different cable. With the dual-RCA setups, you could run a pair of RCA cables so you didn't have to have a different cable, just more, but that is a far cry from how the standard is set up.
I can't speak to the output impedance of Rowland preamps, but owing to the fact that they are solid state and that Jeff knows his circuits, I am confident that the output impedance is low.
I've used Mogomi cables for years, and compared them to a lot of much more expensive cables with no worries or regrets. I do hear differences, but they are always subtle and while some high end cables are audibly better, the difference is so slight that until now, I would never have written home about them. For a difference of $4000 I can get the same effect just by changing a couple of $25 tubes.
Not having to use an expensive interconnect and being able to run it a long way is a boon. I have the equipment stand 3 feet from my listening chair. A 25-foot run goes to the amps, which are by the speakers, with speaker cables as short as I can get them (about 4 feet; the speaker terminal are up high on the cabinets). I use more exotic cables elsewhere in the system, as not all the other components have the same ability to control the cables as the preamp does, and some are single-ended (this is not a problem for a balanced preamp BTW).
I hope this makes my position more clear.