New Rowland Criterion 2-chassis battery pre


Jeff Rowland Design has just created a page for its upcoming statement-level, twin chassis, battery powered full function preamplifier. Detail is still scant, but a little bit of info is already available, in addition to front and rear view pics. Here’s the page:
http://jeffrowland.com/Criterion.htm
And here’s the front view:
http://jeffrowland.com/Criterion-front.htm
And here’s the rear view:
http://jeffrowland.com/Criterion-back.htm

You will find a few specs already on the site. JRDG should be publishing more info in the next few weeks. I will post here as I receive it. in addition to the published specs that you can read on the page above, here are a very few additional tidbits that I have learned this far:

. Uses Burr Brown TI OPA1632 high speed fully differentially balanced modules.
. Includes phono stage.
. Uses standard NiMH D-cell batteries available in most electronics stores, loaded in 2 rear-inserted tubes of power supply chassis.
. Capable of AC/DC operation . . . will recharge batteries on independent circuit during AC operation.
. Full remote control
. Target price $18K (not sure yet)
. Availability: probably early Fall 2008.
. Will be featured at RMAF in Soundings Hifi suite Marriott 503 or 505 from Oct 10th to 12th in Denver.

And sorry folks, I have not heard this device yet. Nor I have any good third party reports on its sound. Any speculations on Sonics from my part would be just. . . pure speculations. I’ll keep everyone posted as I learn more.

Guido
guidocorona
Dave I'm not using the power correction device, but I have used it for a few days in and out for a trial a few months back. It was very slightly better sound (more musicly refined) than without it, but had nothing to do with the "Hiss." I'm talking full volume without source signal with ear up to tweeter type hiss :)
Remember when you compare hiss, you have to do it at the same gain. Some pre-amps don't have as much gain as others, so when you compare their hiss at full volume it may not be apples to apples.

I didn't know if the PFC's conversion to DC might reduce hiss. Apparently not.

Dave
Here are some more post RMAF notes. . .

Soundings suite top flight system consisted of Vienna Muzick, JRDG 312, JRDG Criterion running on AC (that probably just reached 100 hrs mark by end of show(, brand
spanking new Marantz SA7S1 player with 50 hrs break in by end of show alternated with Dave's well broken in Playback Designs MPS-5.

We tested initially the Marantz SA7S1 in the Soundings store before taking it to the RMAF suite using a well broken in Capri linestage: it was remarkable being still fresh out of the box with
some initial raggedness and congestion that already seemed to abate significantly by end of show on Sunday afternoon. Yet, even on Sunday afternoon I easily preferred MPS-5
for ease, extension, staging, imaging, harmonic content. The entire system in suite 505 on Sat and Sun was simply remarkable when using MPS5.

I expected that initially the JRDG Criterion in 505 would
impart a cold/ragged/congested signature as it was so new and running on AC. . . it definitely did not do that. . . overall there was magnificent extension,
headroom, musicality and clarity which kept increasing throughout the show, particularly when we used my AudioQuest Sky XLR IC between MPS-5 and Criterion.

Spoke to the developer of Criterion control software. . . battery PS control modules should be operational by year end.
Apparently JRDG will not rely on consumer grade NiMH, but may equip Criterion with industrial grade NiMH D cells--probably Saft, which have much greater reliability and durability. He said that he has not yet heard Criterion on batteries but his experience is that electronics on
DC batteries always sounds significantly better than on AC, no matter what line conditioning is being employed on AC.

We did briefly replace Criterion with a brand new Capri out of the box and fresh from the factory. Predictably Criterion was significantly more fleshed out, bolder, grander. . . the comparison however does not mean much as Criterion had perhaps 60 hours on it and Capri had 0 (zero). A meaningful comparison will eventually need to be made with 2 fully broken in units, and with Criterion running on batteries.

Overall, it is difficult to determine where the excellent sound in suite 505 was coming from: Vienna Acoustics Die Muzick, JRDG 312, Criterion, MPS-5, Marantz SA7S1, or the 8 hours that Soundings and Sumiko spent setting up the speakers in the room. . . likely it was a combination of all of them. In the end, while there were several rooms that I found quite enjoyable, Soundings suite 505 was one of my very few most favorite places, together with the Bel Canto / TAD suite in 585, the Synergistic Research in Longs Peak, and to an extent the TEAC Esoteric Room in 445.
Just learned a couple more bits of info about the Criterion at RMAF. . . the device was an engineering model whose internals are still a little away from final production. For one thing it does not have final ceramic multi-layered boards, but it uses downlevel engineering development boards; According to Jeff Rowland, even under AC, the final production version should sound even better than what we heard in Denver.

The display is a prototype as well. . . final production will look somewhat different, should be brighter and should have crisper color. G.
Guido, are we going to see it before year end? I hate to keep asking Jeff every month about it, but we all thought it was just months away from production after seeing it at Jeff's CES exhibit...........Mine's been bought and oapid for from my dealer for 7 months!