David, glad to be here.
my use of the word 'zeel' refers to the 50 ohm BNC 'zeel' cable interface which darTZeel and Playback Designs use in place of conventional cables. this offers a few 'system' and 'synergy' performance advantages. they are cheap relative to typical cables used in systems at this level. they sound the same whether .5m or .5 kilometer. they outperform conventional cables due mostly to 'near-perfect' impedence matching.
side note; in the November (maybe Septemeber?) 2001 issue of Stereophile Herve Delatraz (Mr. darTZeel before there was an actual company or products) wrote a very interesting article about how all conventional interconnects were inherently flawed due to impedence miss matching. it's worth reading.
my question was whether 'zeel' cables were used in the Criterion--Dart NHB-18NS comparison.
the dart preamp is excellent when used conventionally in any system; but it's at it's best when used with the dart amp, Playback Designs and 'zeel' cables.
my use of the word 'zeel' refers to the 50 ohm BNC 'zeel' cable interface which darTZeel and Playback Designs use in place of conventional cables. this offers a few 'system' and 'synergy' performance advantages. they are cheap relative to typical cables used in systems at this level. they sound the same whether .5m or .5 kilometer. they outperform conventional cables due mostly to 'near-perfect' impedence matching.
side note; in the November (maybe Septemeber?) 2001 issue of Stereophile Herve Delatraz (Mr. darTZeel before there was an actual company or products) wrote a very interesting article about how all conventional interconnects were inherently flawed due to impedence miss matching. it's worth reading.
my question was whether 'zeel' cables were used in the Criterion--Dart NHB-18NS comparison.
the dart preamp is excellent when used conventionally in any system; but it's at it's best when used with the dart amp, Playback Designs and 'zeel' cables.