class d


I want to hear from people who has had experience with these that did not work out and why,all you hear is the positive.I'm not wanting to bash them whatsoever, its just there are people that dont like them,im curious why.Yes ive had a couple,they didnt actually sound bad,but they didnt draw me into the music at all either.
128x128coffeey
I had not looked at it from that angle, but can't really argue with you either. The p9 demo was not part of their usuall demo process though.
On their web site, they offer auditions for the monos. So I called the to arrange a demo. While on the phone, I asked about the p9. The guy said that they didn't have a demo program for it, but that he had one handy and wouldn't mind sending it along.
So I can give them a "pass" on not knowing that the pre wasn't current because they weren't planning on sending it out.
That says nothing about the rapid rate that they upgrade the amps.
I am really fond of the solidity of the imaging that I get from the pre/mono combo. Plus the pre suits my quirky functionality needs (ht bypass, balanced input and output) and they are cheap.
If anyone has an alternate to consider, let me know!
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T
Sounds like this isn't the first problem you have heard about. Have there been others?
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Hi Jimmy3993, here is a slightly different path. . . I have just spotted an Agon ad for a brand new JRDG Continuum 500 for under $7K. This is an integrated roughly equivalent to a pair of 501 monos + 1500W PFC circuit (twice the capacity of the PC1 + a Capri pre board + a block of additional bulk output capacitors not available on the individual components. This is the same model of Continuum that DCSTEP has been raving about for the last several months. This is the first time I spot a Continuum 500 on Agon for sale. Some specs at:
http://jeffrowland.com/Continuum.htm