Hello Lewm,
Thanks for the research and posting a response. I'm sorry if you got the impression from this thread that I own the Atma's. To be clear, I do not. I came awfully close though!
However, I was fortunate enough to have spent time hearing the MA-2 with the speakers I own and speakers I previous owned in three different systems for a total of 5 lengthy listening sessions. Thankfully I was able to get over the things I thought they did so well and hear IMO what did not jive to my ears.
When I talked on the phone with Ralph he mentioned to me that there were many Eidolon-Eidolon Diamond/MA-2 users in the field. I don't know for certain, but I didn't get the impression from talking with him that any of them were using the Zeros. If this helps, the MA-2's amps were able to drive the Eidolon Diamond to extreme volume levels without signs that the amps were running out of gas. Also, it might be of help to know I heard the IMHO texture thinness and treble abbreviations at low or loud volumes. But from the little technical knowledge I have of OTL's, tonal abbreviation is independent of volume. In other words, if the speaker in question is not a good match for an OTL, tonal coloration will be apparent at all volume levels. Is this correct?
I would like to point out once again I think the Atma's are in certain ways .... "extraordinary" .... exceeding the competition. I also encourage others to audition them to hear the certain areas of cutting edge performance I feel Ralph has achieved with his design.
Having lived and learned over the years from owning five different sets of electrostatics from Acoustat, Quad, and Martin-Logan, these also in certain ways were ....extraordinary.... and in my view, above, exceeding that of the competition. But they also lacked in certain ways, and for me in the long run their faults took away the enjoyment, that magic, the escape, the thrill of being fooled if only for a second that this could be real. Through my experience and from the mistakes I felt I've made, I have learned a balanced approach of choosing all components is what has endured for me.
Best to all,
Tom
Thanks for the research and posting a response. I'm sorry if you got the impression from this thread that I own the Atma's. To be clear, I do not. I came awfully close though!
However, I was fortunate enough to have spent time hearing the MA-2 with the speakers I own and speakers I previous owned in three different systems for a total of 5 lengthy listening sessions. Thankfully I was able to get over the things I thought they did so well and hear IMO what did not jive to my ears.
When I talked on the phone with Ralph he mentioned to me that there were many Eidolon-Eidolon Diamond/MA-2 users in the field. I don't know for certain, but I didn't get the impression from talking with him that any of them were using the Zeros. If this helps, the MA-2's amps were able to drive the Eidolon Diamond to extreme volume levels without signs that the amps were running out of gas. Also, it might be of help to know I heard the IMHO texture thinness and treble abbreviations at low or loud volumes. But from the little technical knowledge I have of OTL's, tonal abbreviation is independent of volume. In other words, if the speaker in question is not a good match for an OTL, tonal coloration will be apparent at all volume levels. Is this correct?
I would like to point out once again I think the Atma's are in certain ways .... "extraordinary" .... exceeding the competition. I also encourage others to audition them to hear the certain areas of cutting edge performance I feel Ralph has achieved with his design.
Having lived and learned over the years from owning five different sets of electrostatics from Acoustat, Quad, and Martin-Logan, these also in certain ways were ....extraordinary.... and in my view, above, exceeding that of the competition. But they also lacked in certain ways, and for me in the long run their faults took away the enjoyment, that magic, the escape, the thrill of being fooled if only for a second that this could be real. Through my experience and from the mistakes I felt I've made, I have learned a balanced approach of choosing all components is what has endured for me.
Best to all,
Tom