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How an audio rack can enhance your amp/pre



Just thought I would share my recent experience with upgrading my sound star technologies rack to the new rhythm rack.

Every now and then, I have a visiting audiophile who really appreciates my system…and traditionally asks – “wow, what makes it sound so good?” My typical answer is it all makes a difference, even down the equipment rack, which can and certainly should be considered a component…but in many cases is overlooked…

Star Sound introduction

About 10 years ago, I was introduced to Star Sound Technologies Sistrum platforms and Audio Points. Audiopoints has always been known for its manufacture of well-designed and beautifully manufactured brass cones used under equipment and as an integral part of an audio stand. This ultimately led to the design of stands designed to transfer vibrations out of components and down to ground. What I didn’t know at the time was how good the Sistrum platforms ‘sounded’. So, I bit the bullet and tried several Sistrum Platforms - what intrigued me about the stands was the design of the Sistrum Platform which allowed a pre-determined pattern of energy, known as Coulomb Friction to develop and dissipate via a high-speed calculated conductive pathway to earth's ground. Which made sense…how do you deal with airborne energy dissipation? I know you could put cones to reduce vibrations from the ‘ground up’ so to speak, but how could you eliminate airborne vibration? We’ve all held our hand on our equipment when music is playing only to feel the equipment vibrate, so how do you deal with it? Draining it quickly to ground made sense, but at the end of the day, all I really wanted to know was…does it improve the sound?

To say I was shocked is an understatement - the Original Sistrum Platforms offered – smoother sound, better transients, dynamics and a lower noise floor. And, the cool part is that you could turn up the sound and the music would flow with greater ease…well worth the investment. Robert at Star Sound was extremely helpful in guiding me through which racks made the most sense for my system.

Rhythm Platforms

Which brings me to 2015…it had been a while since I last spoke with Robert curious as to what his engineering team was up to…which led me to check out the ‘new’ model of Sistrum Stands – the Sistrum Rhythm Platforms.

These new platforms / shelves were substantially heavier, with a nicer overall finish than the original stands, with more grooves allowing for substantially more options to place points in various places under your equipment to refine the sound even further. In addition, the shelves were engineered to deal with resonances in a more efficient manner…The brass cones at the bottom of the rack were substantially bigger in size - 3 inches and quite heavy. The brass cones under the equipment were attached with nicely crafted screws that could be hand tightened and no longer required a screw driver… a nice feature making it both easier to put together but also the amount of tightening could influence the sound. The brass and platform rods are modular, making it easier to put together and painted in a beautiful black finish – in combination with the brass I would say the improvement in the WAF factor is significant – the stands are really impressive to look at. As for structure, these things were a solid as could be – and heavy! Not going anywhere, even in an earthquake!

My system includes VAC equipment, preamp, amps, DAC and a transport. As well as power supplies. Most of which now rested on the new Rhythm Platform.

Listening Impressions:

My first impressions were clearly a lower noise floor with enhanced dynamics, while also being able to hear deeper into the soundstage, which now extended well outside of the speakers. Tempo was faster, due to better-defined, leading edges. The high end was ‘cleaner’, with more sheen and decay on symbols and hi hats. Brass had that right bite to it, without over doing it…Bass lines were tighter which led to better ‘rhythm’ … and best of all, I could crank up the volume and the dynamic range seemed to extend effortlessly, which was a nice surprise.

One thing I noticed, that was true of my initial experience with Sistrum Platforms, is that the newer Rhythm Platforms sounded progressively better after 3 days of ‘settling’ and reached full potential after about 1 week. So some form of break in is required.
Over the years, I’ve tried different racks and various cones under equipment, whether if be soft, hard, ceramic, rubber (or some variation of ‘absorbing material’ etc.) you name it. All of which ‘altered’ the sound, but nothing came close to the Sistrum Stands holistically; while the new Rhythm stands, just take it all to a higher level…
While I cannot expound eloquently on science of Coulomb’s Friction, I can tell you that whatever they are doing at Star Sound visa vie their racks, it works…and it’s not subtle. This is a very audible improvement in your listening experience. If you want your system to perform at its highest level, I would suggest that you maximize your investment in your equipment by letting it do what it does best and put it on a Sistrum rack that will allow it to perform at its best. And if you want the best, I would strongly recommend the Rhythm Platforms.
wisper
agear
1,362 posts
 
07-27-15: Wolf_garcia
Since Agear is obsessed with my background, I will note that I did have long hair in the 60s and 70s, but I was a full time musician then and learned about sound by necessity and exposure to live and studio experiences…I eventually fell into small venue concert sound design and operation about 20 years ago which is a fun thing to do and has taught me a lot about what works, and I seem to be good at live sound mixing which is surprising in that extremely handsome elderly semi professional longboard surfers rarely do that sort of thing. I have never claimed to have "golden ears" (they're more "fleshy" toned) and recommend that people claiming they do should never be trusted. I have real issues with using this forum for unpaid advertising and shilling products, and feel Star Sound has crossed the line repeatedly both by their own ridiculous self promotion and tacit approval of what I think is an utterly over the top and bizarro rant by the OP…I'll go after that sort of thing every damn time, or whenever I feel like it.

So that probably means your hair cells are fried and you have tin ears like a lot of X-musicians I know. When was the last time you had them tested? How old r u? An audiophile friend of mine fraternizes with one of the guys from Kansas and his ears (by his own admission) are fried. Due to his tinnitus and overall damage, he is not even able to appreciate stereo reproduction (which may be a blessing in disguise given all the sourness of demeanor it generates on these forums....).

Robert would indeed send the racks but questioned whether you were seriously interested since your focus (as a non-SS user) appears to be mudslinging (framed by brittle attempts at humor)....
tbg
5,263 posts
 
Wolf_garcia, I have always said, as have others, that sarcasm is often misunderstood as we have no body language to so judge your meaning.
roxy54's avatar
roxy54
8,098 posts
 
maril555
619 posts
 
I didn't want to participate in this thread, but anyhow...
I used to have numerous Sistrum platforms in my system.
Under the speakers, amps, preamp., etc.
After reading glowing accounts of Sistrum owners here, I'm somewhat surprised nobody noticed how much they affect tonality of the system.
I can report from my own experience, and with absolute certainty, that Sistrum platforms do change an overall tonality of the component, they are under. Make it sounds brighter, probably emphasizing upper midrange, lower treble.
They are NOT neutral by any stretch of imagination.
This is not to say, they don't make positive contribution, and the change of tonality may be complimentary in some systems context.
But come on!!! This is a huge qualifier, all potential owners should be aware of.
Going back and reading some past Sistrum reviews, I have found at least one, when the owner compared it to other support systems, and came out with the same conclusion.
It's so obvious, it's really hard not to notice.
Since then I have tried many others (Herbies, Mapleshade, Symposium, Stillpoints, HRS, SRA), and still have some in the various parts of my present system
In the end, my personal impression is as follows:
All rigid designs, metal in particular, introduce their own resonant frequency, as part of "their own" sonic character, for the most part, making a sound of the component leaner and brighter.
Rigid wood structures (maple stands, platforms, etc) have a tendency to "dull and color" the sound.
The best designs by far, are the ones implementing sofisticated vibration dissipation technologies. There are different approaches to that.
Some notable examples are Stillpoints Ultra 5 and Ultra SS,
SRA, HRS (that I tried personally).The others like Critical Mass, Nordost, etc., i have no experience with.
They tend to be very effective in dissipating harmful vibrations, "cleaning up" the sound in the process, and at the same time imposing very small, if any sonic footprint of their own.
In my limited experience, SRA is probably the least "intrusive" one. Makes all the positive changes, w/o any detrimental side-effects, that I can notice.
Stillpoints are exceptionally good, but somewhat component and system dependent.
wolf_garcia
6,737 posts
 
Agear…if you didn't have your cranium so far up your wazoo you could respond to the gist of my comments rationally instead of lamely picking at me personally, although attempts at bullying are to be expected among the insecure. I have plenty of non "Kansas" older friends (60s and older) who are absolutely at the top of their games in sound engineering despite years of this stuff, working musicians included…mastering pros like Bob Ludwig (Mainer!) and Grammy winners like my former CT neighbor Elliot Shiner are hardly "probably" disabled, although the squealing of "whining strangers" might be too high pitched for them to enjoy, even if it's squeals of joy over the astonishing musical panacea of pointy bits . If I have tin ears like people in Kansas (!), it certainly hasn't stopped me from an ongoing successful musician and sound technician career, as well as my ability to really enjoy my hifi rig. There is an important difference between mudslinging and questioning the efficacy of silly statements about pointy things, and if my humor or sarcasm is missed by anyone…well…tough shit.
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