the musicians of a symphony orchestra are positioned very close to each other. there is very little space between them.
perhaps there is an implied disagreement regarding semantics.
in any case, i think it is more important to minimize timbral errors and then the other audiophile concerns may follow.
does anyone have a recipe for achieving timbral realism ?
perhaps there is an implied disagreement regarding semantics.
in any case, i think it is more important to minimize timbral errors and then the other audiophile concerns may follow.
does anyone have a recipe for achieving timbral realism ?