Shadorne: Correct as to the unamplified nature of crossover distortion. It is only the ouput, or final, stage at which the bias point is placed near cutoff and saturation, respectively rather than centered - in a class B amp. How hard that stage is driven makes no difference as far as the amplitude of the crossover distortion since there is no amplification following that stage. But since the excursions will be greater away from the crossover point, when driven harder, any change at the crossover point (which will be insignificant anyway in an AB design) will be a smaller percentage of the overall signal. Hence, at low values of output signal any such distortion would be a larger percentage of the output signal. As to your comment regarding active speakers - absolutely true - it always makes sense to design the electronics for the load and the more known about that load allows for an easier design with less compromises.
What could I expect to hear from a Class A amp?
I have been interested for some time about what difference a Class A amplifier would make in comparison to what I am currently using. Right now I have a Classe Model Fifteen, which is the best amp I have ever owned...What could I expect to change if I moved to a Krell KSA-200, or even a KSA-50?
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- 61 posts total
- 61 posts total