Mcintosh sound


Been looking at Macintosh intergrated amps (MC6300, MC6500) but haven't been able to audition due to lack of supply locally so I need help. How would you characterize the Mac sound? Is it netural? robust with a bottom strength (like Krell or Sim), how's the the mid range; forward, mid theatre or more distant? Top end is it smooth and sparkling?
Over all how does it throw the sound stage? These are important questions that I could use help with, as I listen to soft rock, jazz blues & new age. Please see my system for current rig. Thanks for the help
rsjm80
You know I don't think the integrated is such a bad idea. The lowest prices you are likely to find are for those. In addition you won't have a problem match pre to power amps fidelity. I have contemplated the same but enDed up with a complete extravagance. I have the smallest power amp they made in the 70s called the MC2505 all of 50 wpc but it has variable gain which in practice work as attenuators i.e. with one source it's like an integrated but dual mono. The sound is I think a bit on the wieghty side almost indelicate and above all authoritative and functional. I keep the runt of the litter to power only my Klipsch Speakers a very synergistic combination indeed but I have my main systems using JM/Focals and Von Schweickerts. So it is a luxury.
The little amp feels like and behaves like an amp twice it's strength and yes it has bass but not the Krell iron fisted bass just no doubt if you have a big woofer these amps welcome them not shirk them.
I echo getting the autoformers for panel speakers not sure if it has the transparency you want with an anti meltdown circuitry. Never tested anything other than cones and domes. still this pugnascious amp succumbed to the previous owners playing too hard and took out some strength on one side somehow a very unusual situation for an amp that exudes an unbreakable air.
Thanks so far for all of your subjective opinions, my Slants drive easily and don't run impedence too low (so that's a good thing!). I easily agree that combos all sound different that's why I search for others that have knowledge, my front end is strictly ARC CD 3 (which is fantastic). I'e done some room tuning and upgraded the PCs (Locus Designs) and have the Slants bi-wired from Grover Huffman, plus I pay very close attention to vibration control. I listen to my music at low volumns and as everyone enjoy the biggest stage I get acheive but....don't want to go back to seperates due to getting carried away with the uograde bug
I posed this question in the speaker fourm but didn't get responces and need some help to evaluate as I also thought of NAD, and maybe MF or Marantz, but looking at a company as well established as Mac and AR also looks to sound good as well. When I change I don't want to have to do it again so the better informed I am the more it helps.
I have had mcintosh Pre-amps and amps for years. I feel that you really can't beat the overall value of the amplifiers or their pre-pros. The magnetic switching promises many years of trouble free service. As far as sound goes. There maybe better, there are definetley worse.
I would sum up the amp sound as a warmer tubelike sound that extends through the complete range of frequencies. I get a very good impact on music that requires it and a the soft soothing sounds as well. I know a few people (BW) that just plain don't like the sound, but obviously a business that has been around since 1949 can't be doing everything wrong. Also one of the strongest re-sale values out there. I did just add an Audio Research LS26 pre map and it seems to be developing a very good harmonic synerygy
that I was skepitcal of at purchase time. I would say that you won't be disapointed and if buyinng used and disatisfied, you should do fine on the resale.
Argyo,Theo,Mechans & Nsgrach, Thanks agin for the subjective input it has helped me as to my seeking at this point. My room is not very big (18x12 roughly) and I sit about 6'-7' from my Slants (near field). What I am hearing is that my current Classe w/ARC is just a bit cool but I want to find a balance between the slam of a Krell and the great tightness of the Classe too but into a bit more warmth WITHOUT changing cables and still retain that crystal top end that I have. Arygo & Theo you might have pointed me more seriously to Mac, Mechans & Nsgrach you are surley right that syngery is what I'm looking for as I listen to my system flat and want to expose just what's recorded and not artifical ingredients, plus I don't know about any of Mac's features and what they do even from the websight so again asking questions is the best thing to do.
Theo I don't know why I hadn't thought of a Mac/ARC combo before with both being some of the must respected names in the business and execptional service backing as well. I've had Aragon 2002/18k that I used before and it was authoritative excellent control on both The Infinity Kappa 8s before I got the Apogees and with the Apogee but I introduced an ARC LS 3 and the difference was literally astounding! I've asked in the Apogee fourm as well for some help and gotten suggestions of;Pilinus, Bryston, Pass, MF,NAD trouble is I don't have local dealers to hear or try them for a couple days, plus I want to get an integrated that retains the PRAT and the NAD has what needed but has lacked in the PRAT area from what I continue to read. My Slants are hybird, ribbon/6' bass and I'll never part with 'em for me the Apogee sound is me and everything fits I just want to warm it up a bit more and get some more of that liquid midrange as well (I never ask too much:). Keep the responces comming becue they are helping to guide me, i appreciate and respect your views it's how I continue to learn as well