I use to have the Cayin TA 30 and it used the same tube complement your amp. I found that the 12ax7 position had a great effect on the sound. I always liked to replace that tube in other amps with the GE black plate 5751 but found that I lost low volume dynamics when I tried that with this amp. So I tried a pair of reissued Tunsol 12ax7 and they really did the trick for me. I think the increase in gain of this tube over the 5751 really helped. Then I tried about every combination of power tube possible and finally settled on the JJ kt77. Just a very balanced sounding tube to me. Much better bass than the el34 and to me better midrange bloom than the kt88/6550 type tube. I ended up with the amprex bugle boys in the 12au7 spot. Very nice tube that seemed to broaden the soundstage considerably
replacement tubes for Cayin A50T
I am fairly new to tube amps but really enjoy my A50T. I listen to mostly jazz, blues and classical. My speakers are KEF-104AB. While I really enjoy A50T I am hoping for deeper sound stage like my brief encounter with a McIntosh MX110 + MC240. On the A50T good recordings are warm and present pin point placement of instruments and voices and a wide stage but the depth of the stage is behind the speakers. If my memory is correct the McIntosh soundstage was both in front and behind the speakers. I have read varied opinions about different EL34/KT77 choices and have also read the preamp tubes affect the sound stage. The A50T uses 12AX7EH and 12AU7EH. Do you recommend I start with the EL34s, 12AX7 or 12AU7?
Within the EL34 choices I have read more praises for Winged "C" SED then any other. I have also read Tung-Sol sounds the same but a bit cheaper. The final noteworthy choice is the Gold Lion KT77.
Within the EL34 choices I have read more praises for Winged "C" SED then any other. I have also read Tung-Sol sounds the same but a bit cheaper. The final noteworthy choice is the Gold Lion KT77.
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- 4 posts total
- 4 posts total