How does processor loop work?


I'm not sure what is the concept behind tape loop and processor loop. I suppose they are conceptually similar. I understand the need for the bypass input for the processor that provides unity gain. But I am not sure how the processor loop is supposed to work. There is a set of input and corresponding output associated to tape loop and processor loop. How are you supposed to connect your tape / processor to them, and what exactly do they provide?
jylee
If you have a cassette deck, or other tape deck or device such as a cd recorder, which can both record and play back, the preamp's tape out connectors (left and right) would be connected to the input (record) connectors of the deck (left and right, respectively), and the deck's output (playback) connectors (left and right) would be connected to the preamp's tape in connectors (left and right, respectively).

That allows the signal from the source component (phono, cdp, tuner, etc.) which is selected on the preamp to be routed to the tape deck input for recording. To play back from the tape deck, or to monitor the recorded signal directly from the tape as it is being recorded (which requires a deck with separate record and playback heads), you then select the monitor or tape position of the preamp's monitor/input or tape/source switch (or whatever similar designation it may have).

It's the same idea for the processor loop, allowing you to connect an external equalizer or other processor in the signal path. A processor loop and a tape loop, in fact, would be functionally and technically identical, differing only in terms of the nomenclature appearing on the front panel and the rear connectors, and in terms of which comes first in the signal path (I'd assume the tape loop is first in preamps that provide both, so that the processor could act on signals being played back from the tape deck).

Hope that helps. Regards,
-- Al
The tape loop is a input/output selection on your pre/intergrated-amp or receiver. Since a tape or CDR are one single component that will either send (play) or receive(record) the pre-amp can sort this out as having 1 input and 1 output under one label (tape).

Unity Gain is a feature of a Pre-Amp that allows a multi channel preamp/processor to pass the front 2 channels through the pre-amp to the amplifier. So the advantage that I see is this allows on system to be run as 2 systems;1)Stereo and 2)Home theatre. You are able to run multi channel and use all your speakers or turn off all HT related equipment and run just two front speakers, amp and source component. At least this was my motive.

Most 2 channel pre-amps will out perform most Preamp processors. Since a Pre/pro has two seperate tasks to perform both multi and stereo, usualy compromises are made. This of course is my opinion. There are exceptions depending on price.
Look at this from my integrated amp manual, on page 9 (or 12/28 at the top of the pdf viewer)

http://www.mbl-usa.com/Resources/Documents/7008.pdf

(The 8006B is mislabled as a preamp. They are power amps. Also imagine one three-channel amp instead of three mono amps)

Essentialy with the processor bypass you are using the integrated amp as a two-channel power amplifier only. So as stated above, you preserve your two-channel set-up, but with the push of a button can switch to home theater.