Whats on your turntable tonight?


For me its the first or very early LP's of:
Allman Brothers - "Allman Joys" "Idyllwild South"
Santana - "Santana" 200 g reissue
Emerson Lake and Palmer - "Emerson Lake and Palmer"
and,
Beethoven - "Piano Concerto No. 4 in G Major" Rudolph Serkin/Ozawa/BSO
slipknot1
Stevecham, I agree with you about the Armstrong and Ellington LPs. The performances are wonderful: these musicians were clearly having fun in these recording sessions. And the sound quality is very good. Highly recommended.
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Honeyboy Edwards, Shake 'Em On Down, Analogue Productions Original, APO 2010 (about as real as it gets!)

Saint-Saens, Symphony No. 3 (Organ Sym), Munch/BSO, RCA LSC 2341 (45 rpm Classic Records reissue)

Vaughan Williams: Fantasia on a Theme by Thomas Tallis, Fantasia on Greensleeves; Elgar, Intro & Allegro for Strings, Enigma Variations, Barbirolli/Sinfornia of London, EMI ASD 521 (Alto reissue)

Purcell, Music for Theater, Vol. 5, with Hogwood/AAM, Kirkby -sop, Nelson -sop, L'Oiseau Lyre
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Count Basie Big Band -Farmers Market Barbecue
on Analogue Productions 45 RPM Limited Edition

Miles Davis All Stars -Walkin
on Analogue Productions 45 RPM Limited Edition

Bill Evans Trio -Portait in Jazz
on Analogue Productions 45 RPM Limited Edition

Thelonious Monk -The Unique...
on Analogue Productions 45 RPM Limited Edition
R_f_sayles, any comments to offer on the Count Basie or Monk?? The Bill Evans I admire greatly, but haven't heard these two...

Yesterday's listening was dominated by a dominating performance of Mahler's Sixth Symphony performed by the Philadelphia Orchestra with Eschenbach conducting. I really like what Eschenbach is doing with this great orchestra. He has his detracters, but for me, his plasticity of tempo and ability to shape phrases is a marvelous gift to his audience. Several concerts back, we listened to a guest conductor who was well liked by a local music critic for all the reasons we just didn't enjoy his performances: that metronomic approach is not for us.

Later in the evening it was:
Lightnin' Hopkins, Goin' Away, Bluesville 1073 (Analogue Productions reissue, 45 rpm)

Lazy Lester, Analogue Productions, APO 003 direct-to-disc

Kathleen Battle Sings Mozart, with Previn/RPO, Angel R144625 (early digital and the sound quality is poor, but Battle's singing is divine)

Regards,
Rush, I too find the Bill Evans very enjoyable, beautiful, in a word. As for the Unique Thelonious Monk set he chose to play cover tunes on this 1956 album. It is a very strong showing with Art Blakey on drums and Oscar Pettiford on bass they rollick through the standards with fun and dexterity. The interplay between Monk and Blakey on "Liza" is delightful at very least. I like Monk and this is a solid effort for his second Riverside recording. As for the Count Basie Farmers Market Barbecue, it is a great swing album. It shows that right up until Mr. Basie's end he could electrify a well chosen group of band members to wing way out in that relaxed, seemingly effortless way. About half the recording is a larger arrangement and in the other half the Count pairs it down to just a choice few horns. I find great enjoyment from the swing genre, it reminds me of my dad who liked to play it around the house on a regular basis, clarinet being the weapon of choice. As kids we'd dance all around the place to this stuff, very fond memories. Steve Hoffman again did this recording NO harm. I find myself to be a very poor critic of this Fantasy jazz series of Chad's Analogue Productions in that I gush with praise over every issue, bare none. Happy listening!