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Is this clipping or just high SPL?

Hey everyone,

A question arose today during a listening session. I have a Yamaha M40 120wpc amp driving GMA C1's with a passive pre-amp. I usually run both my pre-amp and amp at about 12... but on rare occasions I will turn my pre-amp up all the way and boost my amp to about 2 or 3 o'clock. I do this on recordings that seem to be mastered lower than usual...

Anyways, today I was listening at the higher play levels and a particularly abrupt loud passage came... specifically, it was 'Dark Side of the Moon' when the bells come in on the beginning of the third track (that everyone has heard at least 40 times).

I didn't hear any clipping, and never have on this system... but things just sounded more congested with less separation and clarity than I'm used to. Given, it only lasted about 10 seconds during that one sequence... but it sparked the question of whether it was likely that the amp was clipping or that it was just loud beyond my comfortable listening level. I am in a small room about 8 feet from the speakers, btw...

Thanks.
djembeplay
shadorne's avatar
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shadorne
7,467 posts
 
Will high end speakers on high end amps all pretty much start to congest at these 100-105 DB ranges?

At 2 meters from the speaker - yes absolutely. Soundstage will not even test speakers at 100 db SPL as most would get damaged - see quote below from soundstage:

As volume increases, all frequencies should rise at the same rate. However, as a speaker is stressed, compression will occur at certain frequencies. The stress may be mechanical, thermal or otherwise. This test shows those frequencies at which deviation occurs as a result of compression. Many speakers show slight deviations at 90dB. Most speakers start to show serious deviations at 95dB. Very few speakers can be tested at 100dB without damage.

Furthermore remember that soundstage are NOT making IMD tests - so their results look artificially good (when a speaker plays simultaneously high and low frequencies you get MORE distortion).
djembeplay OP
178 posts
 
Thanks for the info Shadorne.

I guess I would need to test my DB to get a sense of where I'm at. There are DB charts with examples scattered about, but I'm not sure how the loudness of these compares to that of a lawnmower from 3 feet away or that of a jet engine at take-off.

The higher levels that I have been referring to are powerful with impact yet still comfortable and clear from only 8 feet away on DSOTM (as long as we are referring to this album I might as well stick with it). I consider myself to have fairly sensitive hearing... sooo chances are I'm not into the 90DB death range... right?
hifitime
715 posts
 
A lot of us like to get the "live" sound in our homes.Might
not be to late to turn it down and save your ears.You don't
want to be walking around in public and saying to your wife,
girlfriend,I can't here you,wait till I turn up my hearing aid!
rodman99999
6,035 posts
 
Perhaps it was a stretch when I assumed most understood; a single classical guitar, a small chamber group, an acoustic jazz or blues set, through Heavy Metal bands or philharmonic orchestras playing fortissimo(ffff) all produce, "live" SPL levels, and those levels vary greatly. So do the levels at which various rooms will overload.
djembeplay OP
178 posts
 
Ya... its all too relative to put definites on.

I do think that I have been listening to my speakers very politely though... the other day I gave them a bit more power than usual and things weren't really loud or harsh, but just had more impact and definition.

I'm not sure if I was at the 'live' level... it certainly is a nice sound as long as I keep it below the room overload level. I hope it's not detrimental to my hearing... I thought that only happened if you listened at painful levels for hours straight.
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