Jeff Rowland Sound


I just installed a pair of model 6 monoblocks driving a pair of usher rw729 monitors and then put them on my soundlab m2's;the results of which I never experienced with a solid state amp of this quality as I am a tube guy;my question basically is
how does his amps of today sound vs the model 6 and the other amps produced during their time?
rleff
Guido, I heard my 8 with a model 501 in comparison. The 501 is a good amp, but was a little outclassed by my 8 IMHO.
Audiofeil, I have noticed that you pop up in many threads always with a consistant theme...NEVER anything positive to contribute and always acerbic.
Hi Daveyf, your JRDG Model 8 vs 501 findings do not surprise me. JRDG 501 was a relatively early design using ICEpower, besides not being intended as a Model 8 follo-on. Have you tried Bel Canto Ref 1000 Mk.2? It is a more recent design perhaps, with a little more advanced power supply regulation. . . I suspect you may find those more musical than JRDG 501s.

As for other brands, I freely admit that my musical/sonic preferences are idiosyncratic. When I find other devices that I enjoy, I'll gladly talk about them. . . until such time, I am comfortable speaking about what does not play havoc with my musical enjoyment.

At this point I am intrigued by the potential of GamuT, Belles, an upcoming Wired4Sound reference device, and Chapter Audio. . . all more or less green energy efficient devices. If they turn out to be synergistic with my system and with my ears I'll definitely write about them. . . until such time, whoever insists reading my scribblings may have to bear with the little I know and love (grins!)
Guido, I like my JRDG 8 well enough to not seek another ss amp.
However, I am curious to try a tube amp with my SF's.
I am thinking of the Tenor's or the CAT amps. Any other suggestions?
Hi Davef, I have no experience with Tenor and CAT. I have heard several times ARC tubed amps and thought them to be very nice. . . mainly Ref 220, VT-200, and also Lam hybrid monoblocks. Spent quite a bit of time in the VTL suite at RMAF: they used the new MB450 II monos and the sound was quite captivating. I spent an entire afternoon and evening at Albert Porter's place in Dallas: his system used VTL 750s at the time, and the sound was magnificent. Guido