The ASR Emitter is one such SS amp that gives up nothing to tubes, and does certain other things no tube amp can do. Used prices are not so bad, especially since it's an integrated. (Yes I have one listed but actually I'm keeping it.)
The Red Wine products give up a little dimensionality but tonality is spot-on, and again offer certain advantages.
Same with Pass, other traditional class A SS.
Some people just like the tonality differences that arise from the respective frequency response deviations. Since most tube amps will put out less power into lower impedances and most solid-state amps the opposite, you end up with quite different bass & other characteristics (ie the impedance rise at the tweeter xover point makes the tube amp sound brighter - more 'detailed' - more 'alive'). Depending on the speaker these differences are either a pro or con for one topology or the other.
And for sure some people do like the soft, rolled-off sound many tube amps, especially SE, give. You don't realize anything is rolled-off except in comparison. (Is this why SETs 'pull vocals out from the mix'? Because both ends are downplayed?)
I'm a long-time SE tube guy but the fact is that while tubes can sound great and it is generally easier/cheaper to build a very good tube amp, the output devices are but one part of the equation, and 'tube sound' is just as unnatural as 'solid-state' sound. Natural sound should probably be the goal.