Hi Greg,
The guy who I bought my JMR Twins from used a 2A3 SET with them and loved it, but I just cannot see 2-3wpc ever working for me. They will run out of gas on complex or dynamic passages of music.
I'm glad you gave a reference point of EL-84's. I have not heard the AN amp, but I have heard Almarro's A205A EL-84 SET and it is absolutely superb. I actually mean it is one of the best sounding amps I have ever heard, regardless of price. There is something just "right" about it's tonality and focus.
The A318B is going to be much closer to the EL-84 sound than not. The 6C33B tubes are incredibly clear and transparent, like a 2A3, but not as absolute. I like to think of it as tonal purity because there is almost no artificial coloration. To me, they get as close to literal reproduction as possible with seeming like a microscope. Yet, they still create that special tube/SET spatial environment.
The PX-25 will be kind of similar, but more vivid in it's tonal presentation. The best description I've ever read of the PX-25 was a magazine review where it stated that "Notes seem to be lit from within". It comes close to the focus of a 2A3, but just a hint more tonal warmth. It's different type of presentation.
Your OTO SE w/ the JMR's might be a terrific combination. At 10wpc, it will give you a good indication of how 6wpc will work.
A Manley Stingray would kick ass with the JMR's.
The guy who I bought my JMR Twins from used a 2A3 SET with them and loved it, but I just cannot see 2-3wpc ever working for me. They will run out of gas on complex or dynamic passages of music.
I'm glad you gave a reference point of EL-84's. I have not heard the AN amp, but I have heard Almarro's A205A EL-84 SET and it is absolutely superb. I actually mean it is one of the best sounding amps I have ever heard, regardless of price. There is something just "right" about it's tonality and focus.
The A318B is going to be much closer to the EL-84 sound than not. The 6C33B tubes are incredibly clear and transparent, like a 2A3, but not as absolute. I like to think of it as tonal purity because there is almost no artificial coloration. To me, they get as close to literal reproduction as possible with seeming like a microscope. Yet, they still create that special tube/SET spatial environment.
The PX-25 will be kind of similar, but more vivid in it's tonal presentation. The best description I've ever read of the PX-25 was a magazine review where it stated that "Notes seem to be lit from within". It comes close to the focus of a 2A3, but just a hint more tonal warmth. It's different type of presentation.
Your OTO SE w/ the JMR's might be a terrific combination. At 10wpc, it will give you a good indication of how 6wpc will work.
A Manley Stingray would kick ass with the JMR's.