Who is using passive preamps and why?

I am using a DIY ALPS 10k passive to feed an Audio Research VT50 and a Powered Sub. The IC's to both amps are low capacitance. This has resulted in a very spacious lifelike and tonally neutral sound with all the dynamics I need.

To summarize some of the posts here and in addition to other aspects I have learned I didn't know before that there are two kinds of passives, resistor and transformer based. Argubly folks swear by both designs and the use of passives require more attention to the proper selection of associated gear and cabling. But once set up properly the results can produce a dynamic but superb sound.

I fell into this not knowing alot about passives but in my particular case the guess work was somewhat taken out by pairing a McCormack TLC-1 to a McCormack amp which has a high input impedance and was obviously designed to accomodate passives. Coupled with highly efficient speakers to the tune of 102db produced a very dynamic, smooth, and spacious sound. I can reach sound levels that challenges actives. It is my opinion that I have not heard a solid state active preamp that compares. The only other type of preamp that I would ever consider as an equal would be a tube preamp but I am leaning more towards the passive because I can leave it powered up all the time and is ready when I am plus it sounds damn good. I will eventually have Smc upgrade my TLC-1 and DNA Deluxe amp or possibly try other passives like the VRE-1.

Just wanted to thank each and everyone that has posted here and it is quite possibly that the subject has been exhausted.

I think you have the makings of long-term satisfaction with your system and you can upgrade your music collection, enjoy.

It is all about system building and matching between components, to the point where it come sometimes be a little misleading to even say what a particular tube sounds like absent any information of the circuit it is used in, I know the Roger Modjeksi's EL34 sound is different the CJs EL34 sound, so your left with the question, what does an EL34 sound like, and answer of course is, "it depends".

So I've been listening to the Goldpoint for a few hours, and without comparing at the this point, I would say that for $2,300 to get a Goldpoint ($312) and a Music Reference RM10MKII ($1950) you could be pretty darn happy running a pair of Merlin VSMs. For $312, the Goldpoint, in the right system is "stupidgood". As good as the Joule or Atmasphere preamps (or the CAT I used to own?)? I don't know yet, but you would be surprised how darn good a $312 preamp can sound.