Inpieces - thanks for sharing your story above. Have you a digital camera to take pics of your room for all to see?
Like Inpieces, I too have traveled down a long road of room treatments. If there was any advice I'd like to share it's to educate yourself first so that you (i)don't go down the wrong path based on falacious reasoning or outdated theories, (ii)don't waste your money buying the "wrong" kind of treatment that is too thin or not deep enough, and (iii)can learn and begin to appreciate the physics that's occuring and why certain treatments work the way they do. Gaining knowledge, understanding, and common sense go a long, long way.
My bare room with just drywall for walls and ceiling and low cut pile carpet from wall-to-wall (with underpad) sounded terrible - too live a sound with too much flutter echo as one would expect. I began to tackle the bass region first with lots of bass traps and experimented with positioning around the room and with the distance between the wall and the back of the trap. All the while taking repeated measurements to see what was happening. You'll invariably be surprised at some of the sonic outcomes based on treatment location. For example, when a bass trap works better on the back wall than the front wall because the front wall has a door on it and the back wall doesn't and because the back wall also has a brick foundation behind the drywall. All of these things are factors that pretty soon add up to hundreds of permutations and combinations of variables that would make a Ph.D.'s eyes swim, let alone mine.
But taking it one step at a time starting with the bass region and then progressing to the mid/high region was key. I've reduced a 11db peak at 80Hz down to now just 3dB - an eight dB reduction - due solely to bass trap positioning and using thick enough resistive traps and pulling them at least 6"-7" away from the wall, sometimes as far as 13" away from the wall. WAF be damned!
The next region was the mids/highs which I only wanted to diffuse or reflect not absorb. You wouldn't believe how much HF wall-to-wall carpet can absorb so I desperately wanted to prevent a dead-sounding room. Again education came to the rescue with what kinds of diffusion to use and where, 1D vs 2D, seating distances away, calculating low freq effectiveness of diffusers etc. . .
The end result is pretty special as it's been about a 2 year journey (a slow learner?) and it really sounds amazing now. It's like having your own audio laboratory where the smallest of changes in tubes or cables can be heard. It's like falling in love with your music all over again, as cliche as that sounds. People who have spent their lives listening to music on boom boxes, or in cars, or on their iPods have the dumbest grins on their faces when they listen and point to places in space to the musicians on an invisible stage! it's the funniest thing to see but also very rewarding.
So, I would encourage all to treat thy room before upgrading your equipment as it'll pay back sonic dividends far greater than swapping out tubes, cords, preamps etc. Please email me if you'd like with questions and I'd be happy to try and convey my experience.
cheers,
kevin
Like Inpieces, I too have traveled down a long road of room treatments. If there was any advice I'd like to share it's to educate yourself first so that you (i)don't go down the wrong path based on falacious reasoning or outdated theories, (ii)don't waste your money buying the "wrong" kind of treatment that is too thin or not deep enough, and (iii)can learn and begin to appreciate the physics that's occuring and why certain treatments work the way they do. Gaining knowledge, understanding, and common sense go a long, long way.
My bare room with just drywall for walls and ceiling and low cut pile carpet from wall-to-wall (with underpad) sounded terrible - too live a sound with too much flutter echo as one would expect. I began to tackle the bass region first with lots of bass traps and experimented with positioning around the room and with the distance between the wall and the back of the trap. All the while taking repeated measurements to see what was happening. You'll invariably be surprised at some of the sonic outcomes based on treatment location. For example, when a bass trap works better on the back wall than the front wall because the front wall has a door on it and the back wall doesn't and because the back wall also has a brick foundation behind the drywall. All of these things are factors that pretty soon add up to hundreds of permutations and combinations of variables that would make a Ph.D.'s eyes swim, let alone mine.
But taking it one step at a time starting with the bass region and then progressing to the mid/high region was key. I've reduced a 11db peak at 80Hz down to now just 3dB - an eight dB reduction - due solely to bass trap positioning and using thick enough resistive traps and pulling them at least 6"-7" away from the wall, sometimes as far as 13" away from the wall. WAF be damned!
The next region was the mids/highs which I only wanted to diffuse or reflect not absorb. You wouldn't believe how much HF wall-to-wall carpet can absorb so I desperately wanted to prevent a dead-sounding room. Again education came to the rescue with what kinds of diffusion to use and where, 1D vs 2D, seating distances away, calculating low freq effectiveness of diffusers etc. . .
The end result is pretty special as it's been about a 2 year journey (a slow learner?) and it really sounds amazing now. It's like having your own audio laboratory where the smallest of changes in tubes or cables can be heard. It's like falling in love with your music all over again, as cliche as that sounds. People who have spent their lives listening to music on boom boxes, or in cars, or on their iPods have the dumbest grins on their faces when they listen and point to places in space to the musicians on an invisible stage! it's the funniest thing to see but also very rewarding.
So, I would encourage all to treat thy room before upgrading your equipment as it'll pay back sonic dividends far greater than swapping out tubes, cords, preamps etc. Please email me if you'd like with questions and I'd be happy to try and convey my experience.
cheers,
kevin