Class D amp wyred4sound and B&W 803D

Face,

Here's an example of forgiving & reavealing, in a speaker.
I had a Sony Transport, Theta DAC, Adcom GFP565, and Parasond HCA1000A amps or Adcom 555s biamping Magnepan MG3.3Rs.
The ribbon on the Maggies was the most revealing & deatailed tweeter I had ever owned, but was forgiving enough to be used with either the Parasound or Adcom amps.
I also owned a pair of Counterpoint Clearfield two way monitors. These used the same Aluminum Vifa tweeter, with the three pole guard, that Thiel used on their (3.5?) speaker, before they started using their concentric tweeter/midrange.
I tried the clearfields in the system, with the Adcom amps.
They were unlistenable. Just way too bright/forward.
That Maggie ribbon had more detail, but was still easily listenable with the Adcoms.
Hope this helps.

See my comments in the thread "opinions on wyred 4 sound ice amps".
The W4S amp is not at all "dry" sounding in my system. However, I suspect many users would not have an $8500 preamp in front of a $1600 amp. I have not listened to the ST500 with anything other than the VAC preamp. I am a tube amp guy but the W4S is a killer amp on the N802's

Face - Hyperion HPS-938 is incredibly revealing but never sounds forward/bright. I use it with class D Rowland 102.

Thanks everyone for the kind replies. So far it seems to be a very nice integrated. Can anyone comment on the match with my speakers (803D)? Some people had warned against digital amps and 800 series speakers.....on the other hand some say the later class D amp sound almost "tubelike"....I´m clueless!

Not sure if 'tube-like' is particularly meaningful, as tubed component can exhibit just about any sound under the Sun. . . but if you mean "very musical". . . then the answer would be. . . definitely, some class D amps are indeed extremely musical. G.