Moscode 401HR vs Pass Labs X150.5


So...for those that followed my previous thread, I am still in the hunt for the best amp under $2500 (after auditioning and returning a set of mono amps). I really have not been able to find much on the differences between these two amps sonically. I know the Pass has better resale value, but that's not my primary concern, although it is a concern for sure. The Moscode is rated at 200w into 8ohms (300 into 4ohms), the Pass at 150w (also 300w into 4 ohms I believe). I also know that Moscode improved upon the 401HR with the 402AU. Anyway, my tastes are bluesy rock, female vocalists and jazz. My system is as follows

AIFF lossless => Peachtree Nova USB DAC/Preamp => ??AMP?? => Dynaudio Contour S3.4 spkrs (4ohm load, 88db)

If anybody out there can offer comments as to how these two amps compare (or don't!) I would appreciate it. Thanks
fredorama
UPDATE: So... after receiving my Peachtree Nova back from service two weeks ago, I am happy to report the following;

1) On the advice of Johnny Rutan and Wally from Underwoord Hifi, I attached a cheater plug on the end of the power cord of the ARC 100.2 in an effort to squash the annoying buzz/hum that has been plaguing my system since the amp's arrival. And....SUCCESS!! Dead nuts quiet. Cost: $5.99 from Radio Shack.

2) I purchased a pair of higher quality interconnects from Paul and Judy Speltz at AntiCables with the Eichmann bullet plugs (all copper), and boy what a difference. But still, my system was still hovering in the "average" zone, albeit the high end of that zone. Cost: $150

3) Finally, I purchased a French-made Phillips 6922 tube from Brent Jesse per Brent's recommendation to replace the stock tube in the Nova, and - I TRULY can't believe this -... I don't know how else to say this.... but HOLY F--KING SH-T!!! Suddenly, the bottom end and mid-bottom range opened up, deepened, sharpened - I could hear the subleties of every note coming from every bass instrument on every recording I played, The soundstage expanded to fill the room, the dynamics were explosive, the texture of strings, harmonies and voices floated through the air and resolved naturally into space. It felt at times like the entire band was playing in my room, and at other times, like just a single performer was singing or playing from like seven feet away, five feet off the ground and maybe three feet left of center. It was eerie! It was AWESOME!! Thank you Brent!!! (Of course I am neither affiliated with or related to Mr. Jesse in any way, haha!!) Total cost: $110.

I would say to every Nova or Decoo2 owner out there, (so much for pleasantries) you are an IDIOT if you don't swap out the tube in the Nova with this one! For an extra $100 it is like I now have a high end tube preamp that is allowing the rest of my system to shine through. For the time being, it appears my worries and frustrations are over. Thank the Lord - and thank ALL of you for your kind, thoughtful and helpful suggestions in my quest for audio nirvana. The Audiogon community ROCKS!!

I now surrender the podium. Happy listening to all, and to all a good night.
Post removed 
You got that right Grant! Finally a hum-less, buzz-less system that I can live with. I'll take it. Thanks
I do not understand how you can buy these amps in under $2500, but I am guessing you would be going the used route. In that case try to find a Symphonic Line RG1 MK4, it will probably end your search for a power amp for a long time to come (till you have the funds for a higher end Symphonic Line).
BTW, the RG1 is stable at 1 ohm.
Thanks Pani. I was considering a Plinius SA-102 for a while. Apparently, based on your thread, you were too. I see you settled on the Symphonic, which I am now reading about. You have piqued my interest. Thanks!