All of my equipment - from speakers to cables to CD (Apollo) - is commensurate with the Rega Mira in terms of price (so, speakers to cables, everything is solid, but not stand out). To answer the question about classical vs rock: I am referring to chamber music (Shostak. quartets), not symphonies, so rather piano sonatas, or things like Stockhausen's Tierkreis (played on music boxes) or Morton Feldman, and the Rega is great for that, as it is for stuff like Amon Tobin or Boards of Canada. Electronic/experimental stuff sounds sharp and rich too.
Whoever said the word 'dry', however, that sums up the rock experience with the Rega. It feels like there is, simply put, a 'precision' most unbecoming of rock music, reminding me a bit of mixing down tracks in a studio using studio monitors.
At any rate, I appreciate everyone's comments. And yes, as much as I like the Mira, Rega should do something about those posts. Thanks again,
Whoever said the word 'dry', however, that sums up the rock experience with the Rega. It feels like there is, simply put, a 'precision' most unbecoming of rock music, reminding me a bit of mixing down tracks in a studio using studio monitors.
At any rate, I appreciate everyone's comments. And yes, as much as I like the Mira, Rega should do something about those posts. Thanks again,