ok, i will write a "review" based on everything i have read, and the fact that i own levinson 33H amplifiers. the new amps are very fast- they respond quickly to the attack of notes no matter how loud and complex the sound might be. they have seemingly limitless power reserves, so your ears will give out before the amplifiers will. i am sure that levinson made sure that the 500W rating is extremely conservative as their amplifiers have ALWAYS been found to be when tested. they should at least match halcro et.al. in their distortion measurements.
they will never get hot.
as for the Great Unknown, that is their ability to express the subtlest nuances in the music and bring out details you've never heard before in material you thought you were familiar with, i expect they will do this with
considerable success, although whether or not they are totally "relaxed" and non-artificial sounding will be something only the most experienced listeners might be able to determine. can they carry a tune like Lamm 1.2's while getting out of the way to the degree that Soulution amplifiers are supposed to do? THAT would indeed be a welcome result after having spent $50K and "keeping the faith" as it were with that welcoming name and logo on the front. i want to be able to say that they are truly musical instruments in every sense of the word. i also would want to know that every pair that leaves the factory gets rigorously tested for a considerable period of time, both listened to and exposed to a sizable load to double check that they meet specs and sound as good as the prototypes. FINALLY, there should be no doubt in the customer's mind that, other than More Watts or external Cosmetics per se, that nothing coming out of europe, australia, or elsewhere, has been better made or better sounding- and that would include tube amplifiers (assuming the listener prefers solid-state overall to begin with).
so would someone like to add something to this admittedly limited synopsis?
wouldn't that fulfill the purpose of having the audiogon forums- instead of simply starting another argument where no one learns anything new, perhaps expanding the knowledge of the readers- most of whom can't shlep to audio shows or fly to new york or "the factory" to get an audition? after all, didn't we "seal our own fate" by letting the internet take the place of local dealerships where we use to be able to audition new gear? so NOW it's time IMHO to share as much constructive information as we can with one another. thanks again...
they will never get hot.
as for the Great Unknown, that is their ability to express the subtlest nuances in the music and bring out details you've never heard before in material you thought you were familiar with, i expect they will do this with
considerable success, although whether or not they are totally "relaxed" and non-artificial sounding will be something only the most experienced listeners might be able to determine. can they carry a tune like Lamm 1.2's while getting out of the way to the degree that Soulution amplifiers are supposed to do? THAT would indeed be a welcome result after having spent $50K and "keeping the faith" as it were with that welcoming name and logo on the front. i want to be able to say that they are truly musical instruments in every sense of the word. i also would want to know that every pair that leaves the factory gets rigorously tested for a considerable period of time, both listened to and exposed to a sizable load to double check that they meet specs and sound as good as the prototypes. FINALLY, there should be no doubt in the customer's mind that, other than More Watts or external Cosmetics per se, that nothing coming out of europe, australia, or elsewhere, has been better made or better sounding- and that would include tube amplifiers (assuming the listener prefers solid-state overall to begin with).
so would someone like to add something to this admittedly limited synopsis?
wouldn't that fulfill the purpose of having the audiogon forums- instead of simply starting another argument where no one learns anything new, perhaps expanding the knowledge of the readers- most of whom can't shlep to audio shows or fly to new york or "the factory" to get an audition? after all, didn't we "seal our own fate" by letting the internet take the place of local dealerships where we use to be able to audition new gear? so NOW it's time IMHO to share as much constructive information as we can with one another. thanks again...