Personally, i would consider an amp rated at 250 wpc @ 8 ohms to be "good sized" and not "big". Like all things in life, points of view will vary based on one's perspective : )
As to why someone might need that much power, I had temporarily hooked up an amp that is rated for 200 wpc @ 8 ohms / 350 wpc @ 4 ohms to my HT mains today. These speakers are a nominal 4 ohm load and are about 85 - 86 db's in terms of sensitivity. As such, they are less than average sensitivity and what most would consider a low impedance load. Into this type of load, the amp should be delivering 350-375 wpc rms and probably at least 4-500 wpc on peaks.
Upon playing a classical piece by Rimsky-Korsakov entitled "Allegro Molto" at what i consider to be "good volume", the amp was noticeably going into compression and lacked bass sustain during the "high impact" parts of the selection. Instruments were getting smeared together due to amplifier saturation. Switching back over to the amp that i usually use to drive these, which is rated at 1200 wpc and clips at 1400+ rms, i had no problems. The bass had much greater impact and sustain and instruments did not get as "bunched up" sounding. This was because the amp was still "coasting" and not being pushed hard. As such, it was easily able to keep up with the demand for power and the result was cleaner operation with less smearing, compression and distortion.
And just in case you were wondering, it was wonderfully dynamic, loud and still crystal clear : ) Sean
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As to why someone might need that much power, I had temporarily hooked up an amp that is rated for 200 wpc @ 8 ohms / 350 wpc @ 4 ohms to my HT mains today. These speakers are a nominal 4 ohm load and are about 85 - 86 db's in terms of sensitivity. As such, they are less than average sensitivity and what most would consider a low impedance load. Into this type of load, the amp should be delivering 350-375 wpc rms and probably at least 4-500 wpc on peaks.
Upon playing a classical piece by Rimsky-Korsakov entitled "Allegro Molto" at what i consider to be "good volume", the amp was noticeably going into compression and lacked bass sustain during the "high impact" parts of the selection. Instruments were getting smeared together due to amplifier saturation. Switching back over to the amp that i usually use to drive these, which is rated at 1200 wpc and clips at 1400+ rms, i had no problems. The bass had much greater impact and sustain and instruments did not get as "bunched up" sounding. This was because the amp was still "coasting" and not being pushed hard. As such, it was easily able to keep up with the demand for power and the result was cleaner operation with less smearing, compression and distortion.
And just in case you were wondering, it was wonderfully dynamic, loud and still crystal clear : ) Sean
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