Goldmund mimesis 9.5 and Wilson system 8


Hi, I am auditioning a Goldmund mimesis 9.5.

I really like the sound of this amplifier. Powerfull and detailed but I'm no audiophile. I cannot find any literature on the amp. at all. I think it may be a peach but not sure. I would like some recommendation of other amps (solid state) of similar quality from those in the know (ML / Krell?)

Im concerend the amplifier is getting a little long in the tooth and maybe should be buying something a little newer, but there are rare and hard to find.

My budget is about USD 5k. Used, High End well maintained is my preference.

my system is 60/40 multi channel 2 channel

Classe ssp600 pre pro.
Wilson System 8 / Cub centre / bw 805's rear
Goldmund Mimesis 9.5
Theta Dreadnaught for centre / surround
Esoteric UXPI for digital

Cardas Cross for int/ speaker.

Any comments regardign the Goldmund with Wilsons or other recommendations would be hugely welcome as I am a new comer to high end audio.

Thanks,

Rob
squidly
I can also demo the mimesis 9.2 as well, though it has some scratches etc... Thanks for all the advice. I am to take it that there are soem reliability issues Goldmund?
My experience is that Goldmund makes great sounding amps that will need more regular and expensive service than a 1970's Ferrari
That is not the answer I wanted to hear. I live in Japan and anything of this sort is a huge hassle, not to mention twice as expensive.

Reinforces my sense that I should buy off here and have shipped to Japan..especially with the Yen at 83. It is very difficult to audition gear hear due to traffic and japanese customs. Thats why Im trying to go to those who know! what would be a good fit for the Wilsons. Thanks for your reply.
I didn't have any idea that audio was as difficult to audition in Japan as you recount. I was under the impression that Japan was a "last bastion" of a nation of audiophiles.
To answer your question I don't know the Goldmund Nimesis but agree with your conclusion that 5K is an awful lot to shell out for a used amp that old. The fact that it was "overhauled" speaks to either of two obvious possibilities. It's performance was compromised by old capicitors or worse, and this represents a truly miserable liablity, or a true fanatic was maintaing the amp to the highest standards. The likleyhood of either is difficult to assertain with any degree of certainty at this distance. However, you cannot discount that there is a clear downside risk.
You might want to weigh this risk against the veracity of the percieved culture of great respect for venerable gear in your country. There appears to be a strong demand for golden age hifi in Japan such as the JBL signature series of loudspeakers for instance.
Hi,
If you are in Japan, I'd look for used Goldmund that is local to you and set for 100V. From a Google search it seems there are a number of shops that carry Goldmund. As for models, I would look for a Telos series amp, perhaps with a lower watt rating i.e. Telos 150 or 250. Or at most, get a pair of Mimesis 18.4. These are all much newer than the 9.5 and from my personal experience, quite reliable. I first tried Goldmund gear in the late '90s (Mimesis 29 was just out) and never experienced any issues. However, I take care (with all my gear) to power things down before disconnecting speaker cables, unplug interconnects that go into the amplifier etc.

Goldmund has an excellent sonic presentation- it reproduces attack really well, makes you feel/sense that you are enveloped by the music and offers a nice rhythmic drive. It does not offer bass slam and is not warm but it seems to reveal what is on the recording quite well - if the speakers do not put a harsh demand on the amp.