balanced connection, better than single ended?


If you have gear that can do balanced & unbalanced connections which is preferable and why? I have read that balanced connections are better for long runs of cable otherwise a single ended connections are fine but not sure of this since I have yet to use this sort of connection. Also I read that some gear is not truly balanced in their circuitry thus this gear may not benefit from a balanced connection. I ask only because I'm recently buying an amp that has true balanced circuitry but now must find a preamp of the same.
phd
"The Audio Research amp that I purchased is a true balanced design.... I... never took advantage of its balanced technology"

I am not sure I understand meaning of the word "true balanced design"....as oppose to "false.."?

I guess that your ARC amp has FULLY balanced design. I define word "fully" as balanced from the beginning to the end of the signal path.

If so then you did big mistake ny not utilizing fully balanced design since you already paid for it and had it!

Lets clarify the terms confused by some audiophiles

1 - XLR termination - does not mean anytning. It could lead to "true" balanced input stage or its negative signal is immidiately grounded thus converting it into single ended input signal.

2 True balanced input. Can utilize the number of connections. E. G. one XLR or as its done on Spectron amps (as an option to use) two RCA inputs (one positive and another is negative) - I use it in my own system.

Its advantage is described above - reduction of noise upstream. Nothing more ! I have tube preamp (Joule-Electra LA-300ME) with RCA outputs and when I place my ear to the woofer of my speaker I hear nothing, no noise, nothing...so for me and many, many, many others balanced input provide nothing. (again if you have 100' cable and its raining and stars allign badly etc then you better off with balanced input)

3 Balanced amplification. There are a few implimentation of it. As one of them let look at Joule-Electra LA-300ME preamp. It has RCA input, then the phase splitter splits the input signal into two (positive and negative) and TWO SETS of amplification stage or stages amplify them . Next the one signal is subctracted from another (positive - negative = positive x2 - double signal or in this case double half-signal). However, please note that as oppose to the noise - distortion produced by this amplification stage or stages is not random event and therefore, in "ideal amplifier" both positive and negative distortions have identical amplitude but oppose phases and distortions are therefore CANCEL each other during subtraction stage. As a result you have distrortion free music.

Distortion-free music is spectacular !!!!!!!!

Finally, "300" outputs this already distortion free signal via RCA (single ended output).... and you do with it whatever you want

4 Fully Balanced Design where you have balanced inputs, outputs and most important (and most $$$$$$$$$$$$$) balanced amplification.

IMO, to have fully balanced amplifier and use only half of it is crazy..... You got to speak with manufacturer of your equipment to untilize it in FULL.

I must state for the record that some (e.g.differential) balanced amplifiers will still utilize your single ended signal but most probably not in fullest extend - it can be debated.

Example: Joule-Electra fully balanced preamp LA-450ME. As amplification it balanced twice i.e. has twice more stages as LA-300ME. One set remove distortions as explained above - but in real world amplifier you can't cancel them to zero, part toletance is not 100% thus another set cancel residuals and if you look J-E web site you will see that distortion level drops 8 times going from "300" to "450".

Double Distortioin Free amplifier is double spectacular !!!!

At any rate, Joule-Electra can add single ended input (RCA) and phase splitter so you will use all 450's amplification stages even if your input signal is single ended.

Hope it helps - if not my apologies
Phd,

"maybe I missed something but now I'm not sure. But I still want to see for myself".

That's the ticket. My ears are directly coupled to my pocketbook and by that I mean not going cheap, just getting some improvement for the money I spent and being aware of law of diminishing returns. That doesn't always happen when you buy theories or marketing.

I wonder what happens to a balanced preamp when the parts drift out of spec as they age. Single ended would age also but it's not relying on an identical twin aging at the same spec. I've never been able to get all 4 of the tires on my car to age at the same rate even with the rotate/balance ritual.
The raison d'etre of balanced line is to be able to use any balanced cable cable of any length (or cost) and have that cable have zero sonic artifact. So it does not matter the length (nor price); there is always an advantage to balanced lines.

In order to achieve that, the balanced line standard requires a low output impedance of its sources. This is poorly understood by the (IMO) majority of high end audio manufacturers, who often seem to regard balanced lines as trendy rather than the serious sonic boon that it is. As a result many high end audio products do not handle balanced signals nearly as well as they should, leading to varible results. This is why you see this question come up time and again on these forums!

A common myth is that balanced circuits require twice as much circuitry. This is untrue- quite often they require **less** circuitry as you have less noise, and thus less need for as many gain stages. Also, to build a differential balanced circuit does not require double the parts of its single-ended counterpart!

Yet another myth is that there is no advantage to using a balanced circuit with a single-ended input. As pointed out by Al, you retain the advantages of the circuit, you only loose the advantage of the cable. The gain **does not** change- that is to say you do not loose 6 db, as, at least with differential circuits, the input is looking for the *difference* between the inputs, which might be 2 opposite phases, or it might be the non-inverting input and ground. The differential input does not care.
Hello Arthmaspere.

" The raison d'etre of balanced line is to be able to use any balanced cable cable of any length (or cost) and have that cable have zero sonic artifact. So it does not matter the length (nor price); there is always an advantage to balanced lines."

By saying that "...that [balanced] cable have zero sonic artifact" do you imply that any sonic effect of cable capacitance, inductance and other electrical characteristics effecting the single ended cable sound - vanish? Gone? Diminished?

I would much appreciate if you can expand on this very interesting statement

Next point: Spectron wrote:

"I must state for the record that some (e.g. differential) balanced amplifiers will still utilize your single ended signal but most probably not in fullest extend - it can be debated."

and indeed you debate it - which is absolutely fine and even great! However, it confirms Spectron strong recommendation:

".... You got to speak with manufacturer of your equipment to untilize it in FULL."

Indeed, there are so many ideas, designs, technologies, ways of implementation that its almost a must.

Thank you !
do you imply that any sonic effect of cable capacitance, inductance and other electrical characteristics effecting the single ended cable sound - vanish? Gone? Diminished?

Yes, either gone entirely or dramatically diminished. IME 'gone' is a lot closer than 'diminished'.

Spectron is right that some differential amps will sound better with a balanced input. But- if the amp is properly designed, really the only difference that will be heard will be that the single ended source, plugged into such an amp, will sound inferior due to the cable artifact.