"...SMPS supplies are line and load regulated while linear supplies aren't. Linear supplies require a lot of capacitors to keep voltage steady and filter out 120Hz. They are also noisy since switching is done in audible frequency at max voltage. Linear supplies are also huge with big transformers. Small 1"-2" dia. toroidal transformer at 100kHz can deliver same power as huge toroidal transformer at 60Hz. "
Kijanki, I am not EE so I cannot argue professionally. However, everybody knows that with exception of Jeff Rowland only class D amplifiers use SMPS supplies and the rest of the world use "huge" linear PS. So, there is something "there" in SMPS not so positive... Again, I just am making an observation.
Dob, I disagree with you. Jeff Rowland uses his SMPS with PFC (for Kijanki - on his premiere amplifiers) but he is not the first. See below from Spectron web site:
" Spectron designs team won a contact with pro audio giant Inter-M (among others in competition were Bang & Olafson and Philips) to build a highly reliable continuous output 8000 watt power compact digital amplifier. We successfully demonstrated a prototype of the first stage of this unique amplifier at the NSCA (National Sound Contructor Association) meeting in Orlando Fl , in March of 2007. The highly innovative design includes very high level power factor corrected switching power supplies using the latest PFC conversion technology and resonant mode DC:DC converters"
I can't even imagine amplifier with continuous output (rms) of 8000 watts and who needs it (besides its use in Madonna concerts :-) but they also use SMPS supplies with PFC and DC:DC convertor at least since 2007
I spoke with Simon Thacher from Spectron about the fact that they use in their Musician III amplifier linear PS and not their SMPS, a while ago but I can't remember a word of his reply, today. So, I can make two points:
1 - If to use SMPS then only with PFC + DC:DC Convertor
2 - Even SMPS w/PFC are not automatically better then linear PS - as Spectron has both types and uses both on two different amplifiers.
Finally, I agree with Magfan and Dob that ".. also have felt that the B&O 'd' offerings have more in common than differences, no matter WHO packages the modules and what mods are performed ". I think, one need to hear Kharma, Weiss, Spectron etc to see true potential of class D technology.
Kijanki, I am not EE so I cannot argue professionally. However, everybody knows that with exception of Jeff Rowland only class D amplifiers use SMPS supplies and the rest of the world use "huge" linear PS. So, there is something "there" in SMPS not so positive... Again, I just am making an observation.
Dob, I disagree with you. Jeff Rowland uses his SMPS with PFC (for Kijanki - on his premiere amplifiers) but he is not the first. See below from Spectron web site:
" Spectron designs team won a contact with pro audio giant Inter-M (among others in competition were Bang & Olafson and Philips) to build a highly reliable continuous output 8000 watt power compact digital amplifier. We successfully demonstrated a prototype of the first stage of this unique amplifier at the NSCA (National Sound Contructor Association) meeting in Orlando Fl , in March of 2007. The highly innovative design includes very high level power factor corrected switching power supplies using the latest PFC conversion technology and resonant mode DC:DC converters"
I can't even imagine amplifier with continuous output (rms) of 8000 watts and who needs it (besides its use in Madonna concerts :-) but they also use SMPS supplies with PFC and DC:DC convertor at least since 2007
I spoke with Simon Thacher from Spectron about the fact that they use in their Musician III amplifier linear PS and not their SMPS, a while ago but I can't remember a word of his reply, today. So, I can make two points:
1 - If to use SMPS then only with PFC + DC:DC Convertor
2 - Even SMPS w/PFC are not automatically better then linear PS - as Spectron has both types and uses both on two different amplifiers.
Finally, I agree with Magfan and Dob that ".. also have felt that the B&O 'd' offerings have more in common than differences, no matter WHO packages the modules and what mods are performed ". I think, one need to hear Kharma, Weiss, Spectron etc to see true potential of class D technology.