Hooper, Rclaassen is right. I would go the Prism route. I briefly owned the 2.3s, and while they have a lot of promise, I think the cheap pro digital unit is a compromise. You can blunt the sonic contributions with tubes, but there are limitations. Clayton Shaw designed that speaker, and subsequently designed the Spatial rig. You can dialogue with him about the reasons why. There are multiple grades to choose from, not just the Orpheus which is expensive. It gives you so much more control, from the x-over, to room correction, to flexibility with source material (hi rez material...24/192, etc), and you can even add tube simulators which are little DSP-like programs that run in the digital domain. If you like what the 2.3s are doing, its a no-brainer.