Johnb30:
Even at normal listening levels, peak signals can pull far in excess of 80 watts, which gives you the crossover distortion problems of AB operation. Full Class A operation has a lot of practical disadvantages (very high electricity consumption, a lot of heat, need to periodically re-bias output transistors), but manufacturers still make Class A amps, despite the practical disadvantages, because sonically, full Class A operation, when properly implemented and all other things being equal, sounds better.
In addition, all of the Pass amps, including the 160, have dozens of output transistors - on a transparent, finesse speaker like the Strads, especially given its very high sensitivity, you're generally going to get better sound using a high quality amp of 100-150 watts/channel that has a very small number of output transistors. The darTZeel, for example, is a zero feedback design that puts out approximately 150 watts/channel with only one pair of transistors per channel. The Pass is a very fine amp that has few gain stages and little or no global feedback, but you're going to hear the effects of all of those transistors in a high-resolution system.
Even at normal listening levels, peak signals can pull far in excess of 80 watts, which gives you the crossover distortion problems of AB operation. Full Class A operation has a lot of practical disadvantages (very high electricity consumption, a lot of heat, need to periodically re-bias output transistors), but manufacturers still make Class A amps, despite the practical disadvantages, because sonically, full Class A operation, when properly implemented and all other things being equal, sounds better.
In addition, all of the Pass amps, including the 160, have dozens of output transistors - on a transparent, finesse speaker like the Strads, especially given its very high sensitivity, you're generally going to get better sound using a high quality amp of 100-150 watts/channel that has a very small number of output transistors. The darTZeel, for example, is a zero feedback design that puts out approximately 150 watts/channel with only one pair of transistors per channel. The Pass is a very fine amp that has few gain stages and little or no global feedback, but you're going to hear the effects of all of those transistors in a high-resolution system.