Tube Monoblocks for heavy music on Khorns


What tube monoblocks would drive Khorns the best for big bass/heavy metal music? I obviously can't go the SET route for the BEST sound. I was thinking about some BIG monoblocks to help the Khorns 15" driver REALLY move. My room is small. I could even experiment with adding a large sub like a Velodyne HGS18 in the future, too. However, price is an issue. Another interesting Idea, what horn speakers can really compete with Khorn for around the same money for reproduction of bass, Etc??
128x128stimbo22
Stimbo22, It is my opinion that if one has an "idea" that they have they should pursue it. I am not a "tweaker".... I researched a tried and true products and incorporated them in my system & was astounded w/ the results! I have NO need to go any other route.
I think you should pursue "your" path. Check out the alk engineering site, good info
Atmasphere, I have the ability to change the phase, frequency, slope, delay, HP, LP, band-pass, gain levels of all circuits with my Minimac. Also, while incorporating these crossovers I can take microphone measurements to see how the driver rolls off naturally as well as take in-room measurement of each driver on it's own. I also have a 31 band EQ to EQ the entire system or what not to get a flat in-room response, if even just for a reference point and go from there. All from the listening position! This is all done in one digital to analog conversion from one source. I do understand what you are saying about the passives and can see your point. In the end, what sounds right is right and you never know until then. But there is a lot going on here in this particular active system that could be advantageous.
Good point Tjnif. Sometimes I do not enjoy constant tweaking and would rather just hear music. I will check out the site. Thx
Atmasphere: I thought the passive high level crossover was one of the bigggest problems for tube amps. Wouldn't an active system alleviate THAT particular problem. I am sure it would create other problems, too??
Right.

I've spent a lot of time in the recording studio. I think you will find that the more you process the signal digitally, the less musical the final result will be.

An fact the more you process the signal, analog or digital, the less musical the result.

IOW, that is why most passive crossovers work better than active ones, unless the speaker designer designed the speaker for a particular active crossover.