While I would quibble about Atmasphere and Geofkait's 50% figure as just a guess that recording engineers are largely indifferent to absolute phase, I would say that with the capability to change absolute phase, I hear very few instances where there is a clear choice. Nevertheless, I understand the nagging concern about having both vinyl and digital in the same phase. It is common for each stage of amplification up to the amplifier itself to invert.
I even went so far once to install double pole/double throw switches on my speaker wires to allow switching of absolute polarity there.
I even went so far once to install double pole/double throw switches on my speaker wires to allow switching of absolute polarity there.