Preamp Deal of the Century


If anyone is looking for a true "World Class" preamp at a very fair price..heed my advice. I just recieved a Supratek Syrah preamp that was hand built by Mick Maloney in Western Australia, and it is absolutely beautiful! This preamp is the best deal you will ever find. I would put it up against any preamp out there for both looks and sound. Price? $2500 for the Syrah (includes Killer Phono stage). Not into phono? Try the Chardonney line stage for $2100. Don't get me wrong, I am not associated with this company. I am just a very happy owner! This preamp is VERY dynamic, yet liquid. It conveys the sound of music better than any other preamp that I have ever heard! You can check out the Supratek website at www. cantech.net.au
slowhand
Will do. Tubegroover is nearby and has the Berning I mentioned as well as Merlins. We'll be comparing them for sure. Don't tell him I told you this but I will probably let him use it for a (little) while.

Jim
Tubegroover...Having just ordered a syrah pre... Mick tells me his start to finish time on the syrah is down to 5 to 6 weeks... I let Mick know that it wouldnt be an issue if it went beyond 6 weeks... keep happy and unrushed building mine...Tubegroover, you have a eloquent way of getting a point across , hopefully any new commer will read your great comments of 12-31-03...To all,health and happyness for 2004...
Good morning everyone. Snowing here, 6 inches they say, or said...Chicago in winter. But last night, with only 12 hours until the storm hit, the meteorologists, who get their data from the NWS, a bunch of scientists, are now off on the timing of the arrival of the storm by 8 hours. How could they be so wrong, so close, with all of their advanced science and all? Does this pattern seem to be increasing, even as technology becomes more complex, or is it just me? A lot of gulls in the midwestern parking lots feeding at the edges these days, don't you think? Strange Attractors, in a turbulence theory sense, showing up in greater iterations?

On Krhys: I thought he was funny too. Yet, underneath, I know what he is saying, and it may be a little closer to what I've alluded to above, and to what Supra owners find when they purchase the pre and why they are actually here also. What could possibly be the connection between Kryhs's attacks (challenges?) and to what we have found, and the gulls for Christ sake?

Khyrs is sensitized to the fact that "science" -its toolmaking, the consequences its assumptions engender (and even though he may not see this in himself, be able to admit the heresy as yet) - will not necessarily give you the Answer. He swoops in, a missionary to help us see, to pierce our unreflective bubble, as he assumes. He's frustrated with the scientific true believers who adopt any piece of gear (scientific instrument) just because someone else has told them it will save them, give them beauty. But here, he's been mistaken; this group has found an instrument that produces "beauty" at a "good" value, relatively speaking; he has found the people that he wants the scientifically attached to be (again, even though, in the mirror of himself, he may still say he is whole bread "scientific").

So, basically he's more like us than he thinks (and you to him...). Here's a question, for Kryhs too: Do you think it was a coincidence that Kryhs landed here in his frustrated search? Hmmm...Welcome Krhys. And, yes, more funny please. Love the funny!

On Bob: Great Bob! Eccle, good point, how about this also: that the Supra is able to be inserted into many systems, yes, but also, thereafter allowing a long progression in the other components evolution around it? Some products, although great, have a "personality". Not just in their sound, but in how they intra-act with the rest of the system, both intially and as the system changes in toto. Some components "personality" doesn't show up right away; they can play with their neighbors fairly easily at first, but then, as other components move up to that level in quality, they become more "dominating." This can be very hard to hear and leads to much angst (and spending of money). I've found that over time, the Supra maintains its, for lack of a better word, personality and "suseptibility" to integration with other components over time. That is not to say that it does not have a sound, which brings me to...

Eccl, don't you think/hear that the Supra is on the "clear side" of harmonic complexity? I mean, it seems that the Supra, while neutral towards other components, itself seems to respond better to an increase of "lushness" (hence, the black Kens, etc.) in the core harmonic pojection than to a decrease in what people mistakenly refer to as "noise floor" of space? Noise floor seems acceptable to most here, but complexity in harmonic fabric seems to be what people are going after. Just an idea...

And this why, personally, I recommend it to many people who are at the place of making that jump from perfecting accuracy (usually at a place of overly euphonic tube pre mated to good SS amp and, er, neutral skr/IC wire, chosen to then balance back the other way) to "something more." They are at this balancing place, the merry-go-round place, but feel there is "something more"; can feel it in their bones but don't know how to get there. And yet, a too lush pre inserted into their advanced SS-sensitized ears sounds not "clear enough". The Supra seems to be a great "bridge" pre for many of these people to get the "accuracy" they intially value and, at once, not be scared off by too much euphonics, and yet still get a pre that does many of the things that tube guys talk about at the upper levels of tube systems. And, to boot, as said above, allows significant evolution of the system after that with minimal integration problems.

Just a few ideas, certainly I could be wrong, hearing things that aren't there, but I'd be interested in what some of you think as you've had it a while.

Thanks again for the talk. Incidentally, can anyone answer the unanswered gull part? Is it "inciden-tal, ie hopelessly tangental? Why are you so happy, and defend it so valiantly to Krys, with the "beauty" you found?

I know, I know, that Asa pie-in-the-sky bastard, off the thread again!! Hope springs eternal...
Hello Gang. ASA, any Canada geese hanging out with the gulls there? Your Clear Side anology and its relationship with up stream and down stream components is bang on here. Yes...I do hear this attribute and you are correct in your analysis. I have employed the black Kenrads in my pre for that very reason. They do offer more of a textured soundscape and sound a little more organic in my rig when compared to most of the others. However, this does depend on the genre of music that I am listening to at the time, as well as amplifier choice[tubes in my case]. In my honest opinion: Ones choice of gain tube[6sn7]in the supratek is not a liabilty [per say],but a very flexible option to have when fine tuning with any given high resolution system . The Clarity of the supratek, will definitively allow one the abilty to hear the changes in the source,the componentry,wires,tubes etc,.An Example: the RCA redbase 5692 is far and away the tube of choice when used in my Luminescence B.....the Kenrad by comparison, would rank way down the list of nos tubes in that particular pre.Vice versa for the syrah[go figure]as mine does not seem to respond well to the 5622,at least in my rig. I have marched over [with my syrah in tow] to quite a few friends places [as well as a box of nos 6sn7's]and in every case, the syrah has removed a blanket of fog in each and every one of these systems[all very musical and high end by anybody'standards]By doing so,I have learned a great deal about the "voice" of the supratek and how it synergizes with different components. Example: One friend uses the Conrad Johnson MV-52 amplifier employed with nos mullard el-34's [beautiful little amp BTW]to drive JM labs model??? The Kenrad is "NOT the tube of choice in his system as we both preferred the syvania wgt's by a wide margin.The sound was a great deal tighter with the sylvanias in the syrah when listening to live blues and jazz. Another friend uses the meadowlark Shearwaters driven by mfa 120b monos in triode. These amps are running Genelex KT-88's and are wonderful sounding instruments. Here; the Kenrads sound incredible in the supratek.The stage is huge, literally holographic,with instruments and voices in full scale.A really enjoyable experience to be sure, made his Audible illusions 3a sound anemic,thin,and 2 dimensional.[Yes....he has ordered one] Prior to inserting in the syrah,his system was always very impressive in a "hifi sense" being that it resolved a heck of lot of imformation from the source with good dynamic range,great bass as well as clarity. I direct comparison with the Syrah, it sounds like good "hifi" but the Syrah gets you way closer to the event making the the 3a sound like its broken. I am a firm believer in getting the tonal balance right, first and foremost,then tuning the system to yeild as much resolution as one can achieve in a given room.The supratek is the heart and soul of each and every system I have heard it in! Enjoy.
Could it be that tube rolling is like mixing and matching cables in ones system? Compensation for certain attributes one thinks or feels that their system maybe lacking. Adding color here and there to fill in and round out what a particular system's owner may feel their rig is missing.Is this hopefull pursuit of accuracy one of reliving the actual event or a surreal pipe dream of an occasion that never happened? Tom